I played another entire game over the past few days. This is so so weird. (Which I say every time I finish a game, I know. But it is! Especially relative to how long it’s been since I finished a book.)
This time, What Remains of Edith Finch, which is another plot-heavy / game-light exploration game in which … you know, I’m not sure I’ve ever seen a game like this, except, minimally, Gone Home. Edith Finch has, um, returned to her ancestral dwelling after the death of her mother and the receipt of a mysterious key, which grants her access to the majority of the house, which has been sealed up and inaccessible since before her earliest memories.
What follows is an exploration of generations of Finch family history and the simultaneous exploration of a truly ridiculous plus awesome house, with mysteries galore. There are elements fantastical, elements tragic, and elements personally very uncomfortable. If you want trigger warnings, you should expect that most things people get triggered by (besides inflicted violence) will be in play.
It’s barely a game in the way that all the things which fall into this genre are, in the sense that there are minimal choices to be made; you only move forward through the sparse and lonely plot. But it was a plot full of people and events I cared about, which is what I was looking for.
 Outside of a specific reading schedule
So far, my favorite thing about Xbox’s Game Pass service is that it gives me the freedom to try things out that I cannot otherwise convince myself to pay for. To wit, Tacoma, which is apparently the only other game from the people who made Gone Home.
The upshot being, a) I really liked this story, about an abandoned orbital station where I was tasked with downloading the station AI and acquiring the associated hardware, which perhaps (or perhaps not?) inevitably involves learning some details about why exactly the station is abandoned; but b) I felt somewhat misled into believing that I would have some kind of influence over the outcome, rather than only walking through a story. I am not per se opposed to this form of visual novel, I just want to have a clearer idea of what to expect? I don’t think I ever felt this way about Gone Home, and by contrast I think I actually did have some minor influence over the outcomes of Firewatch, which was also a much larger game.
But that is an issue of expectations contrary to reality; the game taken as is was pretty excellent, and I would have no trouble recommending it. Which would be easier to do if it hadn’t fallen off the Game Pass thing at the end of the month, some very few brief hours after I finished it. Which is good news for me, but… oops.
A quote from my review of the first Uncharted game, lo these many years ago: Pretty much, it’s a Tomb Raider game where they reduced the budget on breast motion physics and invested that money into storyline and dialogue. It was, I think, a good trade.
I have a feeling that someone paid attention to that sentiment, because just a few years later Eidos rebooted the Tomb Raider franchise with exactly those modifications to the bottom line. And while I like the Uncharted series quite a lot, Lara Croft is a character I’ve been following for decades. Seeing her in the game she’s deserved ever since her inception was a pure joy.
Tomb Raider charts her progress from young archaeologist on her first big historical search to seasoned fighter of enraged beasts and evil men, not to mention world-class gymnast, expert mountaineer, and well, tomb raider. Which is to say, yes, it’s kind of silly if you don’t willingly blind yourself to that kind of thing. But the game solidly scratched my exploration and collection itches, redeemed a character that had always deserved better, and told a really good story along the way. I look forward to snagging the sequel.
So, I’ve never played a Metal Gear game. It is plausibly the video game series about which I know the absolute least, in fact. I knew there was some guy named Snake who uses stealth and explosion tactics as needed to do military missions, and that’s about it. But Ground Zeroes was free on XBox Live and I have a new console, so, hey, why not?
Now I have learned that Snake is the occasional head of a South American third wheel uneasily placed between the US and the USSR during the Cold War, who uses those stealth and explosion tactics I mentioned earlier. In this particular game, he uses them to infiltrate Guantanamo Bay in 1975 and rescue two of his teenage proteges from the CIA prison camp onsite. Also, something about his group having nuclear capabilities and being inspected by the UN tomorrow, so he’d better do his rescue mission fast? I cannot tell if I was supposed to feel like a bad guy, nor if I would have felt less like one if I’d played the previous games.
What I do know is that it was damned short and did not leave me craving either the sequel or the many preceding games in the series. Gameplay was fine, but the storyline was definitely not friendly to newcomers. Which may be my fault? It honestly is weird that I know nothing about this series, but nevertheless, here we are.