I know that Doctor Strange occasionally crosses over with other characters in the Marvel universe. I mean, maybe someday he’ll be at the heart of a big crossover event, but as of 15 years of Ultimate comics and 20 years of mainstream comics, he has only ever been at the fringes. And this is a thing that makes a lot of sense! Except for the artifact of history that Stan Lee decided to build a stable of shared characters in the early 1960s to compete with what DC had been doing, there’s no way anyone would say Strange fits into Marvel. Different genre than anything else they publish, and an entirely different style to boot. The only thing that comes close is Thor, and that’s only because they both share a love of stilted declamations.
Do I have a point, here? Maybe. See, as promised in a blink and you missed it scene in The Winter Soldier, Marvel Studios has dropped a Doctor Strange film onto an unsuspecting public. And sure enough, there is no apparent connection between it and any other movie they’ve made, at first glance. But this is fine, because unlike some Netflix series I could name, Avengers Tower is prominent in the midtown skyline. Even better, both the characters with names and dialogue and the pedestrians in the background are becoming more comfortable with the bizarre turns of events that occur with increasing regularity in their world, just as befits a maturing familiarity with superheroes. I would not have thought to be so appreciative of a touch like that, but I don’t think I would have thought to expect such a touch in advance, and yet here we are. Normalcy. I dig it.
Anyway, all that’s about the world and setting. The actual movie, though? See, Stephen Strange is the best neurosurgeon in the world, but after a series of unfortunate events related (mostly) to his personality, he finds himself seeking alternative answers about his place in the world. It took Stan Lee and Steve Ditko maybe three pages to establish all of this before turning Strange from a doctor into a sorcerer, and it took the movie a good 45 minutes. Now, don’t get me wrong, Lee has never written under the auspices of “show, don’t tell”. Man loves to tell approximately as much (and as floridly) as PT Barnum did. But at the same time, 45 minutes is a lot of celluloid to squeeze out of three pages. Maybe there is some kind of middle ground? Like, I would never say they should have skipped the origin story entirely, because who has heard of Doctor Strange?
The good news is, that’s the only bad thing I have to say about the movie. It is a feast for the eyes, and moreso in 3D (unless that kind of thing makes you ill), and if the plot is a little bit bog-standard good v evil for modern Marvel, to be fair fantasy and spellcraft kind of lends itself to that. And even so, it’s far more nuanced than you might think from what I’ve said. Not-apparently-a-Baron Mordo in particular is fully realized in a way that never would have been predictable based on his turn in that same initial Lee/Ditko comic I mentioned before.
Tl;dr go see it, they’re not out of juice yet.
 I mean, if you discount years of announcements and months of previews. Look, nobody asked you.
 At second glance, this is completely untrue, but only because the writers made an effort to relevance that I cannot decide if I appreciate or oppose. That is in full on spoiler territory, however, so I shall say no more.