Tag Archives: formulaic

Monsturd: revisited

Friday marked an unprecedented occurrence, which probably went unremarked by people who aren’t me, but it bears scrutiny. I received a slightly misplaced comment from Rick Popko, the writer and director of the recently un-reviewed indie flick Monsturd. I present that comment here, in its entirety.

I guess you didn’t like Monsturd, then, eh? Sorry about that. We did the best we could for our $3,000 production budget. We’re making the sequel now called RetarDEAD. You can see a teaser trailer of the movie on our site www.4321films.com (click on the poster).

-Rick

In light of this new information, I feel obliged to provide an actual review instead of an overly snarky dismissal. My lesson has been learned, even if the odds of any other creator stumbling upon my modest endeavor are, well, awfully low.

Monsturd was formulaic, yes, but in the good way. Sure, the serial killer was going to fall into a vat of toxic chemicals and become an unspeakable monster. And the title gives away fairly well what kind of monster. And naturally there’s only one person who can stop him, the wholly adequate town sheriff. But it has things you wouldn’t expect, too. The obsessed FBI agent and the insane biochemist at odds with each other who, I’m told, will be back for the sequel. And of course the entomologist who presents one of the best film metaphors in ages, his collection of a million flies. (Of nearly equal amusement value is the part where he keeps them in a wire cage, and they still only come out when he opens the door.) And am I a big fan of the Pepto-Bismol-filled waterguns? You bet!

But that’s my real problem with the movie. It had ten pretty good opening minutes, ten excellent closing minutes, and about ten other good minutes scattered through the middle. And severals tens of minutes that alternate between unnecessary and downright disappointing. Sure, it’s my taste talking here, but I don’t really need to see the ten minute vomiting scene anymore. It’s been done often enough.

And while on the one hand, I can’t expect the movie to get from point A to point B without a reasonable discovery of what the hell is going on transition, on the other hand, I could have asked for a little more than the same treks through sewers with a piece of the puzzle revealed at the end of each otherwise identical trek, and for better dialogue in the sewers. Because, the townsfolk interactions, the police station scenes, all of those were fine. The sewers flat-out bored me, and your tension area can’t be boring. It breaks the rules, badly. I can handle the bad acting. It’s part of a $3000 budget. And speaking of that, the special effects surpassed the budget in every way. It gives one hope for one’s dream of making a lesbian zombie softcore/polemic. But if I’m bored when I’m supposed to be (even if only a little bit) scared, that I can’t take.

So, did I like Monsturd? Well, okay, not really. Would I have liked it with other people in the room? A lot moreso, at the least. But it had promise, enough so that I want to see the sequel advertised above, which is much more up my alley. Special-needs adults transformed into zombies by an insane biochemist, and the town must figure out a way to survive. Seriously, I’m there. So, in deference to my admitted tastes, and at least as much so to the fact that I sold Rick short a couple of weeks ago, I present the link to his next opus. And, if he wants to send me an advanced copy, well, I wouldn’t bitch about it.