Tag Archives: fantasy

Preacher: War in the Sun

51Q1siZNCoLIf there’s a theme in particular, I guess I missed it. But War in the Sun has a heaping helping of plot and character arc, so I can forgive certain other lacks. The sixth volume of the Preacher series opens with a look into the backstory of dickhead antagonist Starr, leader of the shadow organization that wants to use Jesse Custer as a figurehead to distract people while it achieves global domination. That out of the way, events quickly spiral out of control when Starr, Jesse and his companions, and the Saint of Killers meet in Monument Valley for an explosive confrontation that, unless I miss my guess, will have echoes throughout the rest of the series.

At the very least, all of the major characters have reached the nadir of their respective emotional arcs. (Even Arseface, who is inexplicably still present in the story. And, well, not including the Saint of Killers: I expect his happened rather longer ago. Anyway, he’s more a force of nature than a character.) All that remains is to see how and if they can recover as the storyline starts moving into climax mode. I, for one, can hardly wait.

Bloodlines

51vYDOXEpILHave I been going crazy with the Star Wars books? Apparently! And I doubt I’m likely to slow down much anytime soon, despite an intention to space them out at least minimally. It helped for this one that I spent a solid day at the airport, of course. It would have been only a bit over half a day, except that I traded my seat on a plane for a free round trip voucher. That kind of behavior is, of course, completely awesome, because it means I get to fly somewhere else now, but for free. And since I seem to make quite a few of these trips, that is definitely a good thing.

Also a good thing, though, is having a Star Wars book to read while sitting around the airport. I mean, if it’s a good one. But it’s cool, because Bloodlines was. There was plenty and more involving the brink of civil war and the growing Sith menace I mentioned regarding the last book, about which more later; but the story the author really wanted to tell was a familial yarn about Boba Fett and his family. (Apparently, he had a family once aside from his father, which I was not previously aware of either, and yes, the extended universe authors brought him out of the Sarlacc alive years and years ago. (And if you don’t know what that means, then probably the book and the review alike are not for you. But it does have good themes, nevertheless, about which also more later.)) Said yarn is reasonably decent, but largely uncompelling outside the greater framework in which it was placed. Inside that framework, which has Fett’s family in microcosm, the galactic “family” in macrocosm, and the Solo-Skywalker family in, um, cosm all three parallely coming apart at the stress-ridden seams and for the same basic reasons, well, it’s damned compelling indeed. And just like in real life, for contradictory reasons at that. Putting on blinders to protect yourself from seeing who people really are, but also ascribing antagonistic motives to people too easily; taking the easiest path available without addressing the hard questions at the core of it all, but also being so paralyzed by trying to address hard questions that the easy solutions slip by; failing to account for the impact our past has on our future, but also focusing on the past too closely to keep track of the important things in the present. Which is all vague and high-handed frippery, really, but I like a book that makes me pause and think and also want to shake the characters to get them to see sense. And I especially like a book that lets me accept that sometimes sense isn’t there to be seen: that senselessness happens too, and all we can do is start getting ready to pick up the pieces after the storm has passed.

Yeah, and I didn’t really plan to write any of that. There was the “family in crisis” parallels, and after that I was done except for this one last thing. But apparently I liked the book better than I thought, if all that came spilling out. So that’s cool. But mostly, I wanted to talk about the Sith bit. As much as I liked the tragic fall of Anakin Skywalker, the one thing this series is excelling at is schooling George Lucas in what it means to write about Star Wars. Because these three authors (well, admittedly only two so far) are going above and beyond on providing a plausible Sith conversion. For Anakin, certainly the Jedi worked very hard at pushing him into the position he found himself, but without a huge gaping flaw in his character, the Sith Lord could never have won him over. But <spoiler averted>’s story is completely different from that. Every individual step taken has made sense rationally, and most of them are even steps I would have agreed with. There were a couple of obvious blind spots where selfishness trumped rationality, but even then, it only caused a bad but rational step, not a truly irrational one. Admittedly, I’ve been troubled by aspects of the character in question for about the previous ten books, but it’s really impressive to behold a basically likable character transform into a disturbing sociopath over the course of just two books, during which I agree with the majority of his individual actions. The upshot of all of which is, this is going to be a really ugly and disturbing story, before it’s all over. But also probably very good.

Betrayal

Betrayal(LOF)I guess I mentioned a new Star Wars series, right? I’ve read the first one, and even before I was pondering my review, I stumbled upon an enormous problem. See, between Return of the Jedi and this book, there are some 50 plus other novels, all directly contributing to the timeline in often meaningful ways. And the book assumes you know all of that stuff before you start reading it. (It assumed knowledge of events in the comic series from the 80s, for that matter.) Sure, I have a lot of this knowledge. But damn, it’s hard to write a useful review for people who probably don’t have it. Ultimately, I think, impossible. So expect the reviews of these books to be spoiler-cut early and often, even though my intention is to mostly only talk about spoilers for previous Extended Universe events.

As far as what I can talk about, wow, Betrayal is an intense book. After the resolution of the long war against the Empire and another war against an extra-galactic foe, stability should finally be the watchword. Instead, a civil war is looming as Corellia (famed for being the homeworld of Han Solo) and a coalition of other planets is agitating to not give up their personal defense fleets in favor of a unified army provided by the Galactic Alliance to which most inhabited worlds belong. And even as the schism threatens to tear families and friendships apart, one man is hearkening the overall situation as well as his personal one back to similar circumstances two generations previously, when Anakin Skywalker was balanced on the razor’s edge between the galaxy’s need for peace, order, and stability, and his own need to protect his loved ones. There’s a sense of ominous foreboding throughout the novel. History is doomed to repeat itself; the only unanswered question is, how bad can it get?

Upshot: I guess I could talk about it without more than vaguely referencing the events of the intervening 40 or so years. But expect future reviews in the series to have massive spoilers after all. Vagueness and handwavery can only carry me so far.

Allegiance

I guess there’s a new Star Wars series out, right? But for a really long time, I couldn’t find the first one used. (It’s in hardback, and I’m reasonably picky about paying $25+ for a book. Well, obviously I wouldn’t be spending full price, but I still think of it that way when making the financial decision.) I finally did find it, plus the subsequent ones, and now I’ve apparently got six books in said new series stretched out in front of me. Naturally, then, I opted to read the new Zahn book instead.

Allegiance is set in the Splinter of the Mind’s Eye era, when the Rebellion was only really starting to get its legs following the propaganda victory that comprised the destructions of Alderaan and the Death Star. A group of pirates apparently working with a regional governor to declare independence from Palpatine’s Empire sets Luke, Leia, and Han, Darth Vader, the Emperor’s newest apprentice, Mara Jade, and five recently deserting stormtroopers on a collision course, during which each of the characters must determine how their personal morality interacts with their sworn duty in an ever-darkening galaxy. (Well, okay, I’m thinking Vader was probably pretty secure in his actions and choices. And Leia. But the others!)

Decent book. Still pretty close to top-shelf for Star Wars, but the author has almost always done better. I can’t help but think it was a set-up novel to allow us to see more of the Hand of Justice in the future. Which is fine; those stormtrooper guys were pretty interesting, and definitely the best part of the story.

Stardust (2007)

Stardust, right? It’s been such a long time since there was a good fairy tale movie. (Well, let’s head off the Disney people and specify live action; but I’m pretty sure most or none of them compare anyway.) The downside to this is that the already viable comparisons to The Princess Bride become practically inevitable. The upside is that there’s finally something on film to mean to the kids what that movie meant to me. Oh, sure, they could just watch it instead, but since when do people go for their parents’ fogey old movies when there’s new hotness to deliver the same kind of impact?

Perfectly interwoven storylines follow a star that has fallen to ground beyond the Wall, a chest high stone wall that separates England from the magical kingdom of Stormhold. All she really wants to do is get back to the business of being in the sky, you know, hanging out at night, shining. Basically, the kinds of things a star would want to do. Meanwhile, people seek her on all sides. Heirs to the throne of Stormhold, looking to prove themselves according to long family tradition. A lad from England, looking to prove himself to a village girl by bringing her the star, which they watched fall to ground during a moonlit dinner. Three witches, trying to maintain their immortality. And that’s just the tip of the iceberg.

I loved it. I really can’t think of anything to add to that; the previous two paragraphs and the closing sentence of this one are, for the most part, fluff to fill out that central point.

Phantom

41zwvtAmaMLNormally, this is the point in the review where I’d be digging up my previous reviews and getting an idea of what I thought of the last few books in the Sword of Truth series[1] and what the tone of the pieces were. However, as I’ve been telling anyone who will listen, I’m currently off the grid. And since I didn’t make the entire contents of delirium.org available to myself offline before I left, well, you can see that I have no choice but to wing it.

Okay, then. Plot summary first, I guess. Phantom continues Richard Rahl’s search for his wife Kahlan, erased from everyone’s memories and perception via the Chainfire spell. As if that weren’t enough to deal with, the seemingly infinite army of the Imperial Order is nearing Richard’s army, which has no realistic chance to do more than momentarily slow their inexorable advance on the last free capital on the continent. He’s already lost his sword, and now someone is in the shadows, poised to steal the last advantage he has left. And I maintain that all of this could be pretty cool, tension-driven fantasy drama, if only it weren’t interspersed with the repetitive objectivist lesson plans disguised as storyline.

The Phantom in question is still supposed to be Kahlan, as you’d expect, though Goodkind shoehorns in a few other phantom references in other parts of the plot. (A bit clumsily, to be honest; if he’d used synonyms every now and then, it would have felt a lot less hammery, at least.) But the real phantoms of the book are the various strawmen against whom he’s arguing. It’s all fine and good to think that religion dulls people, that a focus on an unproven next world beyond death can be actively harmful to providing the best possible life for oneself, one’s neighbors, and one’s progeny. There’s an interesting debate there, and it can work even if you’re an author providing both sides of that argument. But it can’t work if your authorial position is that the logical conclusion of a religious focus is a communistic dystopia in which all beauty and knowledge is despised for taking peoples’ attention away from the afterlife and in which people can be easily brainwashed into believing that the wanton rape and murder of friends and enemies alike can be an expression of solidarity in collectively marching toward that goal beyond the veil. It’s not just that painting the opposite side as ravening beasts incapable of all rationality is insulting and ultimately detrimental to any persuasion, although it is those things too. It’s that it renders the entire counter-argument suspect, if the opposition needs to be placed in such an unattractive box for the authorial mouthpieces to be able to effectively debate their cause.

[1] Yes. Still. There’s a bright side, though, in that the next book is the final one, and I will at last be free!

Preacher: Dixie Fried

51nMX6pyRVLAfter getting side-tracked a couple of times by family matters and kidnapped friends, Jesse Custer has forcibly put himself back on his quest to find God and ask some pointed questions. Trouble is, he doesn’t really know how to go about the finding, and anyway, he still doesn’t really understand the thing in his head that started all of this. So he heads off to New Orleans to dig up a few answers. Which would probably work out fine, except one of Jesse’s and a few of Cassidy’s past (and present) mistakes are coming back to haunt them all.

Oh, I didn’t say what the hell I’m talking about there, did I? Just finished the fairly inexplicably-titled fifth Preacher volume, Dixie Fried. It was refreshing to get back to the driving force of the story, after the last book’s digression. And I did enjoy the plot twists. However, it felt a little thematically empty. If Tulip had had anything come along with the express purpose of biting her on the ass, I might have been able to cobble something together about mistakes and consequences. Plus, I’m not sure if I approve of the apparent change in Cassidy’s personality. (In case it’s not clear, Cassidy and Tulip are Jesse’s quest companions, not to mention vampire best friend and girlfriend, respectively.) So, there’s a slight dip in enjoyment happening. But the story itself I’m still on board for, so far.

Harry Potter and the Deathly Hallows

I honestly couldn’t tell you the last time I read a book this long this fast, although at a hunch I’d call it the sixth book of the same series. There’s something about being caught up in the flood of a cultural phenomenon that I really enjoy. For a few days (which basically predate this review), everyone has only this one thing on their minds. Well, maybe not literally everyone, but enough of everyone to annoy the holdouts. But at the end of all that, it’s still got to be talked about out of context as its own work, not merely as the reaction to the phenomenon. It has to be if you’re me, at least, since I do this thing.

I suppose the question is, does Harry Potter and the Deathly Hallows live up to the hype of being the conclusion of a series worth billions of dollars that will eventually spawn seven movies worth additional billions of dollars and not incidentally the hype of being the fastest-selling book in history? Well. It probably doesn’t. I mean, come on, that’s an unreasonable amount of pressure, right? But does it live up to the expectations of a series that has purposefully set out to reflect the process of growing up, and maybe teach children a little bit about that, through the lens of a magical world under assault by an evil thought destroyed twenty years earlier but which had instead merely bided its time while its power slowly grew back under everyone’s noses, most people unwilling to believe it could happen again? And does it work as an England approaching World War II allegory at the same time? I’m gonna go with a resounding yes on that one.

I’m just saying, good stuff. It stopped being a children’s story books ago, but this one is probably a bit much even for some of the early teen set. It’s every bit as dark and as dire as it should be, to match with the stakes that Rowling has been implying for most of the series. And impressively, I found the conclusion satisfactory. That sounds like faint praise, but it shouldn’t be taken as such. I just wasn’t sure there would be any way that could happen, due to the unreasonable expectations I’ve mentioned previously. It’s not the great series of the age or anything, but, taken as a whole, it’s a really good fantasy series, and that’s not nothing.

Spoilers below the cut, not because I need them to finish the review: it’s pretty well done, I guess. But there are definitely things worth a mention. And when I say spoilers, I mean that I’m letting fly with plot-destruction of complete magnitude, here. Seriously. Continue reading

World’s End

1563891719-01-_sx450_sy635_sclzzzzzzz_It was Harry Potter weekend, and I sat at work waiting and waiting and waiting for notification that my package had arrived, so I could leave work and grab it and have some reading time back at work with which to while away the long weekend hours. The fly in my chardonnay was that UPS handed off their delivery duties to the USPS, at which point delivery info didn’t appear on the tracking page until this morning. Although I now know it arrived at 2:52, at the time I had nothing but shattered hopes. The upshot of all of which is that I started reading the eighth Sandman volume, World’s End. And then got stalled by actually having to work, and was unable to finish it before I got home and took delivery of my book.

Here’s the thing, though. It’s Sandman, right? And even though it’s one of the alternating books that explores mythos and shards of character personality instead of the main plotline, it’s nevertheless right at the climax of the series. It’s possible I could have set down an earlier volume unfinished and come back to it, and I’m sure I could have set down any other re-read and probably a lot of new reads to start my precious Harry Potter conclusion. But not this.

The story is simple, is in fact nearing a millennium in age. Travelers forced together by circumstance tell tales to each other to pass the time on the road to Canterb-, er, no. To pass the time in the inn called World’s End, where they have each taken shelter from an unseasonable storm. And if you suspect that each of these stories will reference someone that has been important to the overall Sandman cycle thusfar, well, try not to be too surprised by your perspicacity in this instance.

Knowing what I know about how the overall story ends, I was at first struck by the irony of the storm as catalyst. Because, to me, this was the calm before the real storm that has been building for, well, the entire series. But it’s been obviously building for the last four volumes. And yet, I reached the end and surprised myself with the realization that the storm within the story was generated by the outcome of the metaphorical storm of plot I’d been envisioning. The next time I read these, I’m going to be looking for the iconic moments from each of them. Just as the dinner under the stars at quest’s end was the moment to watch for in the previous volume, the procession at the climax of World’s End nearly literally took my breath away. I took about 20 minutes to recollect myself before finally cracking Harry Potter, at least. And that’s on a reread.

Harry Potter and the Order of the Phoenix

You may or may not be aware that the final Harry Potter book is going to be published at any moment now, and that spoilers are nearly as prevalent as theories, recaps, final reworkings of relationship fanfics, and all-around general buzz. Potterdämmerung, they’re calling it. The fact that you are reading this right now puts you, on average, much more firmly in the “may” column, of course. I anticipate that the faint twinges that are accompanying me putting my thoughts together on the Order of the Phoenix movie are spare precursors beside what it’ll be like to have to review the actual new book.

And that’s before even taking into account that I really liked the movie. Sure, I had lowered expectations after the many shortcomings of the previous film. And sure, this book was even longer than the last one to try to shoehorn into the same amount of space. But either the adapter was much better or the book lent itself much better to compression, because this one worked as well as any of the previous volumes, possibly exceeding the high watermark of Prisoner of Azkaban. Luna Lovegood was note perfect, and Dolores Umbridge was nearly as unpleasant as I had imagined her. And the plot, though streamlined, hit upon all of the important themes and events. Harry suffered all of his turbulent anger, angst, and teenage lust and then emerged from it into his first shaky steps toward leadership. The wizarding community at large dealt with its fear and denial and backlash at the messengers over Voldemort’s return. Voldemort started gathering his forces. And all in full technicolor glory!

Okay, it’s next to impossible to both describe what I liked about the movie and avoid spoilers, apparently. But it really did work. I know that stuff was left out (and I acknowledge that I haven’t read the book since its release), but there was nothing much that really stuck out as a tragedy to lose. Except maybe they could have spent an extra ten minutes or so in the climactic battle allowing the kids to show their stuff a little more and to show off the Department of Mysteries in more of its glory. And possibly either not included Kreacher the house elf, or else given him more to do. But I have a suspicion he was present so that he can do something more relevant in the next movie that I’ve currently forgotten about, which would make that part basically okay, in the grand scheme of things.