Duplicity

I like it when movies are smarter than I expect them to be. Not the ones with paradigm-shifting plot twists in the final act, though I like those too if done well. It’s just, if I know there’s a twist, I can usually work out what it will be. No, I’m more talking about the movies that are created to be twisty and confusing right from the start, and revel in letting me know they know I know, but are confident I won’t figure it out anyway. And I can figure out a lot of those ones too, but not always.

Duplicity straddles the line. I kind of knew what was going on right away, but then I let all the nested switchbacks lull me and therefore dismissed my instinct, because the movie was cleverer than I gave it credit for. And this is exactly what I’m saying I like, so. The deal is, Clive Owen and Julia Roberts are retired spies who have moved into the private sector where they continue to spy, only now they call it corporate espionage. And they’re engaged in a steamy cat-and-mouse game between their respective companies, their respective teams, and (inevitably) themselves. The chemistry is not at all bad, but as the characters themselves acknowledge early and often, the main draw is to find out who will finally come out on top. …professionally, I mean.

It’s an entertaining movie, and I can happily recommend to anyone who likes a) to untangle puzzles or b) things that are fun.

One thought on “Duplicity

  1. Skwid

    I think my problem could best be summed up by the idea of people portrayed with paranoia as such a fundamental personality trait not seeing the flaws around them as early as I did (much less as early as they should have) is a pretty weak hook to hang a movie on.

    I mean, it was good, but it was almost excellent, and so I was disappointed.

    Reply

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