I’ve been to New York City once, in the late ’90s before things got “cleaned up”, whatever that means. So I saw Central Park when it was scary, and based on the looks I got in my giant cloak, apparently I was the scary person in the park. Which is okay. And I saw all the peepshow spots on what I have to assume some 20 years later was 42nd Street. The posters in the windows say “a quarter”, but you cannot get into those places for a quarter. Which is false advertising, but “cleaning them up” for false advertising seems a little harsh. About the only other thing I did was, because I was young and foolish, go to the Hard Rock Café. I’m cooler now than I was then, in most ways.
Nevertheless, I have a point to make with all of this, which is that despite my well-traveled worldliness as documented just now, most everything that I know about New York City, I know from Marvel comics. And a place Marvel has never put a spotlight on, at least as of winter/spring 1985, is the Bushwick neighborhood in Brooklyn. So this is definitely a sort of “today I learned” moment, for values of today equal to a couple of days ago.
Anyway, Bushwick is a neighborhood kind of story, in which blonde grad student Lucy emerges from the subway into a war zone. Why are there black helicopters and commandos everywhere, blowing things up and shooting people? Between the targeted violence and the random opportunism, can she make it the few blocks to her grandmother’s house? Will Dave Bautista save her? Will she save him?
The funny thing is, this comes across as a high octane pulse-pounder, when really it’s a quiet portrait of two people just trying to get along in a quiet portrait of an urban neighborhood that Mayor Rudy forgot to “clean up”, except that the quiet introspective moments that fill the portrait are punctuated by explosions and gunfire. I can see why this is a movie that would make fans of exactly no genres happy, but for me, it was a very rare kind of mash-up, and I dug it.