JCVD

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And then, towards the tail end of the weekend, I headed back to the Angelika[1] to watch another movie chock full of subtitles, JCVD. So there’s this guy, Jean-Claude Van Damme, right? Martial arts movie star from the late ’80s and throughout the ’90s but who has been somewhat less popular of late. And he has kind of a sad life; sure, the Belgians back home all adore him, but he’s losing custody of his daughter and his attempts to revive his career are frustrated at every turn, most recently by Steven Seagal’s willingness to ditch his ponytail in pursuit of a role.

And then, on a perfectly normal day, J.C.[2] runs into the post office on an errand and finds himself locked into a twisted hostage crisis whose events are told several times in parallel, with a little bit more information about the truth of the matter revealed each time. What action there is follows the gritty cop drama formula more closely than the fantasy action you’d expect out of one of his movies, and there’s a substantial amount of comedy along the way. But underneath all that lies a serious examination of celebrity and the many ways that people interact with it that would never have happened if it had been a different man trapped in the post office with the rest of the hostages and criminals. The police and negotiators, the hostages, the criminals, the witnesses to events immediately preceding the crisis, the crowd outside, each brings a spin, and in each case only because they recognize that guy from some movies they saw a few years ago.

Which is kind of the point. Not to judge any particular reaction, but to make us aware of how profoundly differently we do react to our celebrities. Hell, it even happened to me. Knowing full well what point the movie was making, I was still frustrated once or twice that Van Damme didn’t take one of the opportunities to fight back against the armed men, take control of the situation when he was one on one. Intellectually, who cares how good he is at karate? He’s still a middle-aged man with a gun being held on him, and he’s allowed to be scared and not want to be any more involved than he must. But I was still rolling my eyes at him because of my own expectations abut his abilities. All of which to say, it’s cool when something can make you laugh and think both. Plus, there really aren’t enough films in the tragicomic category, and it’s always nice to see one more.

[1] In both cases, there was only this one theater showing each movie within at least thirty, and probably more like hundreds of, miles.
[2] This is probably the only movie I can think of where the lead character having these initials is not a sly reference to a messiah; and then again, the case could be made…

Låt den rätte komma in

This weekend, it has been all about the subtitles. After rolling out of work a little early on Wednesday, I fought traffic and a driving blizzard to get to the Angelika in time for Let the Right One In. Plausibly, there was no snow of any kind until the movie started; it’s hard to remember? In any event, there was plenty of snow to be had from the moment the credits rolled. And not just because the movie was set in Sweden, which presumedly is not locked in winter ice twelve months of the year.

Oskar is a bullied 12 year old boy and child of divorce, alone in his apartment most of the time, wishing for the courage to stop his oppressors, and already visibly embittering at his inability to do it. Into that unchanging snowscape arrives a man and a young girl, Eli, who have moved in next door. While Eli and Oskar begin to learn about each other and fumble toward friendship, the man is wandering the woods with his serial-killing kit, draining blood from his victims. Oskar’s new friend will turn out to be far more than she seems, and Oskar’s wishes may not be the boons he had always assumed they would. But then again, maybe they’ll be exactly what he wanted.

It was a very quiet movie, light on dialogue in most of the scenes, and I almost think that the ubiquitous snow and cold were characters in their own rights. Symbolically, I mean, as emblems of that quiet, and of the inner coldness of so many of the characters. There was a lot of beauty in that austere trackless white and cold, and, despite everything, in Eli as well. I said to Nicole that the movie was beautiful and tragic, and it was tragic; but it strikes me that it could have been merely tawdry and pitiful without that abundance of austere beauty. I think this marks the first time that I could see why someone would actively buy into that whole vampire obsession that’s so solidly in vogue these days. I’m not sure if it was the cinematography, the acting, or the script, but Eli was downright magnetic in every frame of film, no matter how innocent or brutal the scene.

It’s hard to really explain why I’m still so drawn in by the memory of the movie without going spoiler all over the place. But my estimation of it has only gone upward in the subsequent days, and I’d run off to watch it again upon pretty much anyone’s request. I really am impressed.

Fables: March of the Wooden Soldiers

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As entertaining as the previous Fables volumes have been, with their magic-mirrored reflections on politics and relationships and rivalries and so forth, there was something missing that I hadn’t really even placed as gone until Bill Willingham set it down in front of me. See, all the many and varied familiar characters in Fabletown only came there for one reason: a powerful Adversary conquered and enslaved their homes, one by one, and they fled to the one place he never showed any interest in, our mundane world.

Except, as you’ve already guessed, all that is about to change. March of the Wooden Soldiers chronicles the first escapee from the Aversary’s grasp in over two hundred years, and the brutal aftermath of that event, including (but not limited to) open warfare in the streets of New York City! Not only has this opened up rich new avenues of future storytelling, but it provided the surprising (to me, anyway) info that nobody really knows who the Adversary is; I had been imagining a Voldemort kind of situation, rather. And in the meantime, several outstanding storylines have proceeded forward in highly satisfying ways. I am pleased to have a new favorite ongoing series, what with the end of Y: The Last Man a few months ago. Hooray for good stuff!

Ultimate X-Men: Blockbuster

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Not that this matters to anyone but me, but I think I went off-schedule again reading this book when I did. Weird. Anyway, the new X-Men was largely dandy, continuing the streak of finally being actively good. The only thing that really stopped it from being actively great was how the Spider-Man crossover demonstrated the author’s active preference for a non X-Men character. Which, okay, I can understand it, but it doesn’t really match what I was supposed to be reading.

Character favoritism aside, Blockbuster had a great Wolverine-themed story that revealed a little more of Logan’s history to the subject and readers alike. Remnants of Weapon X are gunning for the project’s greatest success, and Wolverine’s questionable ethical decisions over the past few volumes have separated him from the safety of Charles Xavier’s Xtra powerful team of mutant teens. The theme that permeates every event and every interaction is that of consequences. It’s not a happy book, as you can imagine from that claim, but it is a damn fine one. I am really glad to see the series finally reaching for its potential. Hooray for faith paying off!

Oh, good news, I remembered that I’m not out of order after all. Plus, that crossover bit in the first half of the book re-mentioned an Ultimate universe event I saw a hint of in one of the early Ultimates comics, and now I finally know where it came from. I’ll be reading the books that tell that story relatively soon, too, so that will be nice to finally have back in order!

Quantum of Solace

So, new James Bond movie, which is almost by definition cool and only really needs to be compared to other Bond movies. I liked it enough to have seen it twice, and yet I’ve been stuck on the review for a while now. I think it wasn’t until I realized that and thought about why that I was able to come up with something, but it does all kind of make sense now.

What I liked about Quantum of Solace is what they’ve done with the franchise. Not only was was it a direct sequel to Casino Royale[1], but there are strong implications that an underlying arc will continue through at least the next film, if not several more. I’m also pretty okay still with the lack of gadgetry in favor of more direct badassery, though I think I maybe want there to be a few more gadgets than approximately none. The plot: in which a shadowy organization has various irons in the fire whose goals are the acquisition of more power and resources with which to acquire more power still. Or, okay, to be specific, they are propping up a Bolivian dictator in exchange for control of certain resources. Or okay, to be more specific still, the water supply. Which is possibly silly, but appropriately grandiose for the archetype. It fits, anyhow, so I like it well enough to not worry about it.

What I didn’t like was the lack of an iconic villain. Casino Royale had a guy who wept blood, for crying out loud! This only has a guy with a bowl haircut, which, y’know: enh. And he’s just the villain’s cousin! And, okay, yeah, I’m coming around on the gadgets thing. Awesome car chases are necessary, but they are not sufficient. These are largely quibbles in the face of my joy over a Bond with both a plot and a character arc. But I’m pretty confident it’s possible to have and eat my spycake, so I’ll look forward to that in 2010.

[1] I’m pretty sure they’ve only ever done that once before, and the time they did it, it was just a few minutes at the beginning that had no bearing on the rest of the flick.

Ultimate Fantastic Four: Frightful

I’m not really sure what was done differently, but the latest volume of the Ultimate Fantastic Four managed to be as busy as the last few have been while simultaneously not feeling like each individual story was rushed. If anything, it felt like a return to the madcap days of the ’60s where each storyline lasted for two or three issues and hints of the future or ties to the past bled into each individual magazine; in short, like there was an ongoing, somewhat-planned story arc. It turns out, I really dig that.

Frightful features time travelling adventures in which dimensional spiders stand ready to eat you if you cause a paradox, yet another return of Doctor Doom, recurring super-zombies, and a Lovecraftian threat of world-crushing proportions! Also, whatever has been wrong with the art lately, they sorted that out too. Best book in the series since the first one, as nearly as I can tell.

Death Masks

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The awesome thing about reading a Dresden Files book is that I’m guaranteed it will be good, between the quality of the earlier entries in the series and the universal acclaim it has received among my friends who have read them. Plus, reading them spread out like this means I’ll still have new ones ahead of me for at least months, if not years. The downside is that it’s really hard to convince myself to read something else instead once I’m done with one. Like now!

Death Masks follows Harry Dresden[1] as he fights a new battle in the war between the White Council (of wizards, which Harry is one; but you probably knew that) and the Red Court (of vampires, which you may also have known, but not as certainly), a war that some on each side would claim he is single-handedly responsible for starting, himself included. But since that’s not enough action for one book, he also needs to track down the Shroud of Turin[2], wage war against some arch-demons in pursuit of the apocalypse, and sort out his relationship with Susan, former paranormal reporter and current semi-vampire. Plus, quips, a little bit of the inevitable-for-the-setting sexy, and slathered chunks of extreme danger! Read it now! Unless you need to read the earlier ones first, or something.

[1] So, the Dresden Files are among my favorite books, and the Dresden Dolls are among my favorite music. What is it about that little bombed-out German town that holds such massive appeal?
[2] Yes, that Shroud of Turin.

Teeth (2007)

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I finally watched another Netflix movie! No, it’s true. Sure, I’ve still got season 5 of Alias sitting on my table waiting for me to watch special features and commentaries and such, but something pretty cool happened. The XBox 360 now lets me stream Netflix movies directly, with neither muss nor fuss. As a test of the system, I snagged a movie I’ve had my eye on for a good long while, Teeth. What I’ve learned is that it’s not worth it to stream things that aren’t in HD, since my player upscales DVDs and the streamy thing does not. But still, the actual movie divorced from the crappy resolution, it was okay.

There’s this girl, right, and she’s involved in one of those teen abstinence organizations. The problem with such organizations, apart from how they disseminate inaccurate and insufficient information regarding sexual health, is that the guys in them are perhaps not as committed as the girls? If this is as true as I suppose, it’s due to the wonders of relative testosterone levels per age of the folks, and not really anyone’s fault; see above regarding sexual health, yes? But, so yeah, she meets this guy, and they have the strong teenage feelings that sometimes result in perhaps more activity than an abstinence organization would approve of. Except, our heroine learns that she is inflicted with vagina dentata, and then she learns that maybe it isn’t such an affliction after all. Hooray for preying on thousands of years of masculine insecurities! Plus, strongest female character in a horror movie since the Ginger Snaps: Unleashed. It was a decent flick, is all I’m saying.

Mirrors (2008)

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Some Wednesdays, I make my way to a movie theater and catch up on stuff I’ve wanted but failed to see. There are several such things right now, but some of them are trapped in limited release that conflicts with my schedule, and I found no willing soul who had a preference, so I went for the oldest movie on the list, theorizing I’d be most likely to miss it if I waited. The lucky winner? Mirrors.

Kiefer Sutherland is a cop with a troubled present that has caused his suspension from the force and separation from wife and kids. While trying to put his life back together, he takes a job as a security guard at a burned out department store; only, there are visions in the mirrors, and eventually actions affecting the world outside. And it’s not enough that they are tormenting him. Before very long at all, his entire family is in danger from every reflective surface in the world. And there are kind of a lot of those!

It was surprisingly good, well above my expectations despite a bit of a fall-apart towards the end. Mirrors have a long and creepy history in the movies, and the exploitation of that was done well. Plus, it was nice to see Kiefer not playing Jack Bauer for a little while, even if it didn’t last the entire film.[1] It really had a ton of things I love to see in movies, including urban decay, psychiatric wards, hillbillies, and nuns! Not at all a bad way to kill ten bits and two hours. Although the fat chick in the row behind me who kept sitting all the way forward with her arms and head resting on the back of a seat in my row? That’s kind of weird, right?

[1] I present here an actual line of dialogue from the next-to-last act: “Please don’t make me have to threaten you, ma’am.”

Hack/Slash: Death by Sequel

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The second volume of the Hack/Slash series benefitted from my reduced expectations almost as well as as the first suffered by my heightened ones. Where the first one revolved around the origin story and growth as a team of the lead characters, Death by Sequel settles into a more episodic format that seems to better suit the genre they are taking on. And yet, during the two related stories that comprise the volume, it is clear to see Cassie and Vlad’s friendship deepening beyond their working relationship. It’s not the kind of story where they might eventually have a romance, which for my money makes the attention to their closeness all the more impressive.

Also, as you might expect, they wander about trying to kill evil murdering things in the night, so you don’t have to die. And they do so in inappropriate clothing whilst spattering about as much gore as is feasible. So that’s good of them. Still, the best part of the book was the scattering of 3-4 page trailers for “upcoming” storylines. Pitch-perfect parodies of the kind of movie that the actual written stories are based on; I’m not sure whether the stories try to achieve the same level of parody and fall short, or if the authors understand that it wouldn’t be sustainable over the comic’s potential long run. Either way, as lightly enjoyable as the stories are, the trailers were hilarious.