Tag Archives: first-person

Gone Home

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header_292x136Although I have not touched a game on PC since probably 2006 at the latest, I still have a Steam account from back when that was a reasonable place to play the various Half-Life sequels. This is relevant because, some months ago, a friend gifted me a first-person (rather than text) interactive fiction game called Gone Home. I took a week or so getting the Steam client to work with my laptop (since I’m not going to put a game on a desktop and the Steambox still shimmers hazily in my future), and then I played about 45 minutes of the game and set it aside.

Which is not to say anything bad about it, I just have a habit of not completing games, which is why even one that lasts about two hours took me two or three months to actually finish, and honestly I’m a little surprised it happened all the same. So, what’s the deal? It’s 1995, and you the player have just returned home from backpacking in Europe. Only, nobody answered the phone, nobody picked you up at the airport, and the house is dark, silent, and (thanks to an ominous storm, pervasive minor key mood music, and the implausibility of every family member being away) kind of menacing. Still, it’s IF, so the only thing to do is wander from room to room, reading the notes and computer screens and various detritus of daily life that your family has left scattered around, trying to figure out what has happened here.

At two hours, “what happened here?” is pretty much the whole game, so I won’t say anything to spoil it, but I appreciated that every resident has a story waiting to be discovered, and I also appreciated that each story was opaque to the other residents, wrapped up in their own lives and troubles, only discoverable by the player because you are coming in with a fresh eye after having been gone from home for like nine months.Exciting high adventure, it’s not, but it sets a hell of an atmosphere, at turns creepy, depressing, or nostalgic. I’m not sure I’d pay the $20 Steam has it listed at as of press time, but as a gifted diversion, it definitely hits the spot.

Myst

A very long time ago, I spent a week in Southern California, right after the spring semester. Mostly hanging out on the beaches watching bikini babes rollerblading by on the boardwalk, right? Well, obviously not, because I’m me. No, a big part of that time, I played Road Rash on the Sega and Myst on the PC. However, vacation time ran short, and I did not quite have time to finish.

That would be the all too common end to the story, except that one of my friends hit upon the idea of buying the first three boxed together over this holiday weekend. None of us has ever touched Exile, I’ve never played Riven (except for the first ten agonizing minutes or so, after which I got bored and quit), and one of us had never played Myst. Also, none of us particularly remembered how to solve the puzzles, just pieces of the plot. So, we sat down and got to work.

And then, after about six or eight hours of gameplay spread across two days, we finished it. I learned several things from this experience. 1) Ten years down the road, a lot of games have incorporated this kind of puzzle motif, to the extent that what was new and unusual back in the day is now all to easy to spot and understand the purpose of. The paradigm has shifted, and this was certainly the game that did it. 2) Full-motion video has come a long way. 3) When I stopped playing, that early summer all those many years ago? Yeah, I was about 5 minutes from the end of the game.

What a sack of crap.