Tag Archives: Cinemark

Thunderbolts*

Leave a reply

Here’s how you know something is rotten in the state of Marvel: we made plans to see a movie on June 1st, just thirty days after a May 2nd release date. And no Alamo Drafthouse in the DFW area had even a partial screen for the movie in its fifth week of release. That just hurts.

And it’s also sad, because after six years, Marvel seems to be getting back into a groove. What I mean by this is not that their stories have improved, although I think they have. I mean that it feels like all of the movies I’m watching this year are tied together. It’s not the spaghetti test approach of throwing each new thing against the wall to see whether it sticks, there’s an actual throughline to the flicks being released. It’s exciting!

After the harrowing events of the movie I watched last week[1], the Contessa[2] Valentina Allegra de Fontaine is on the run from Congress and cleaning house as far as her various special projects. You could, but probably do not, recall her recruiting a varied group of powered individuals across multiple movies and TV shows that have aired since Nick Fury went into space to hang out with his cat[3] and therefore nobody was around to think big picture anymore. Well, Director de Fontaine has been here to swoop in and fill that blind spot in our collective foresight.

Except, well, her hands are not as clean as we might wish them to be, both in terms of the kinds of projects she has supported and most likely in terms of the gains experienced by her investment portfolio, if you know what I mean. So as I said, she’s cleaning house, which involves sending Yelena[4] (among her other recruits) to prevent the theft of dangerous and classified material (among the Contessa’s[2] other clean-up missions). In many ways, what Yelena finds there is not what she expected. And I don’t just mean because she’s been feeling burned out and has asked that this be her last mission. (I don’t not mean that, it’s just not the only thing I mean.)

Two or three action set pieces later, Yelena, John Walker[5], and a handful of other misfits and/or one-time criminals are facing off against an existential threat[6] to the city of New York, and possibly to the world. I can confidently say that this will not go the way you expect it to.

Anyway: I liked all the characters (though I could wish Ghost had been provided a little more development), I found the story beats to be novel  or at least adjacent to novel, and I want to go back to my first point, which is how much I loved seeing aftershocks from Brave New World and foreshocks from Fantastic Four: First Steps. Many individual movies since the end of Phase 3 have been good (and many have been, ahem, not so good), but this is the first time in those six years where it has felt like they’re all connected.

If they can keep doing this, the MCU might be able to come back from limbo.

[1] No link, it’s literally one review back. Just click the “previous” button, or scroll down.
[2] Technically not (as far as I know) a countess in the MCU, but what’s a title or two between friends?
[3] Technically not a cat
[4] Who you may remember as Natasha Romanov’s sister and fellow Red Room Widow
[5] Who you may remember as Captain America, for at least 10 minutes before he got fired
[6] I might go so far as to say an existential terror

Black Widow (2021)

Leave a reply

I have only a handful of thoughts about Black Widow, I think because it’s been in a holding pattern for so very long. I know practically nothing about the next several movies, and I’ve known practically nothing about the onslaught of Marvel TV shows, but this one: it’s just been hovering in the atmosphere, out of sight but you knew it was there. It’s had to be there, somewhere, for just years now.

As imdb sparsely has it: “A film about Natasha Romanoff in her quests between the films Civil War and Infinity War.” And it is definitely that. It’s the best kind of retcon, where you can look at it from every angle, and it just fits.[1] It has a well-realized version of a villain that I would not have expected to work, it has a solid dynamic between every character, and it has… well, okay, the plot was fine, at best.

The thing is, the movie is not about its plot, and is instead about its characters. It’s a love letter to the Black Widow, in the midst of a film about what family means. There simply haven’t been many quiet, homey movies in this series, and maybe there should have been? I like about the comics that you always eventually get to see the characters on their days off, and this was like that, even though there were like two huge set piece fights and several more small set piece fights.

Not that you asked, but I also think I’ve talked myself into liking this better as a retcon than maybe I would have had it come out in sequence between other movies as indicated by its place in the timeline. It just works better retrospectively, I think?

And finally, in response to a lot of talk I’ve seen along the lines of “too little too late”: a) I will definitely not argue about too little. I think that Winter Soldier was always halfway about Natasha, and while I won’t defend her taking this long to get a movie, I do think her character got solid development over the course of this long series of movies. (Way more than, say, her non-powered counterpart Hawkeye.) But intent matters, and visibility matters, and she never got much. b) I will 100 percent argue about too late, though. In addition to my thoughts above that this maybe plays better here as a retcon in the first place, I also solidly reject the idea that it can be too late to care about something, or to do the right thing.

Very very lastly: IMAX is still pretty cool. People buying tickets adjacent to ours, however, is wildly uncomfortable. I think I’ll have to find emptier theaters or stricter policies, now that I’ve experienced that misery.

[1] Well. The coda that was designed solely as “and then she re-entered previously established canon” was about as forced as I made it sound just now. But otherwise!