Tag Archives: graphic novel

Miles Morales: The Ultimate Spider-Man – Revival

51sHdZFm72LAs of Revival, I’m current on the Ultimate universe again, at least as it is released in collected formats rather than monthly. I hate to go all mysterious, but I also hate spoilers, so my review will consist of a short, open letter to Ralph Macchio or Stan Lee or whoever is in charge these days, and if you choose to read very much between the lines at all, you’ll be able to tell what I’m talking about and have your review, and if not, you’ll avoid your spoilers. In any case, I hasten to assure you that Bendis is still writing this series, and he’s still doing a great job, and I’m still eager to know what happens next. (Seriously, seriously eager.)

Dear Stan Lee or Ralph Macchio or whoever is in charge of Marvel story development these days,

You guys. Seriously. I cannot really take this anymore. I was unhappy when I learned the news in the first place, skeptical for a good long time thereafter, and only fairly recently have I come to terms with what you did. It was a big, bold, ballsy move, and it has paid off in more ways than I would have guessed back when I first knew it was coming.

I can imagine myself coming to terms with this too, not least because it gives me back what I want. But it’s not fair to the new guy that has been developing so nicely, and it’s also maybe not fair to the creation you’ve all been developing for the past 15 years now. I’m just saying, be careful.

No, that’s not true. That’s the least part of what I’m saying. What I’m really saying is this: pick a side. Stop fucking with me. I want clear answers, and I want to feel reassured that they’re really the real answers, and I know goddamn well that’s a ridiculous thing to expect from the comics industry, particularly around this kind of story development. Nevertheless, I can’t really take it anymore, and there we are.

You should know, though, that (like I told my so-called audience a few paragraphs up before the letter started) I did like the book, and I do desperately want to know how things turn out. Just because I’m roller-coastered out doesn’t mean I don’t want more. Also, holy shit with how cool J. Jonah Jameson was. It’s been a while since my jaw dropped reading one of your books. (And almost always because of Bendis. Hold onto that kid, okay?)

Sincerely,
The guy that runs this blog

Unicorn Being a Jerk

51rt0NUfXwLMy girlfriend got this book for Christmas from her brother, and I read it myself over the course of about five or ten horrified minutes. You see, on the one hand, Unicorn Being a Jerk is an extremely accurate title. On the other hand… every time I thought I had a handle on how big of a jerk Unicorn was, I would turn a page and learn that I was the Jon Snow of this book.

If your reaction to things too horrible to look at is laughter, this is the book for you. If not… at least it’s short and there isn’t a whole lot of text? I suppose if you were kidnapped and forced to read it against your will, you could kill time figuring out the correct timeline of Unicorn’s life and how all the events relate to each other.

But, yeah, it was pretty funny.

Hyperbole and a Half: Unfortunate Situations, Flawed Coping Mechanisms, Mayhem, and Other Things That Happened

51wAAzcD2uLAs you probably know if you’ve spent much time on the internet over the last five years, there’s a bizarrely drawn website about (mostly) childhood, dogs, and/or mental health called Hyperbole and a Half. What there’s a slight chance you don’t know is that the creator of that site has also released a book compiled partially from what’s already on the internet and partially from new essays.

She’s funny, often relatable, and the book reads quickly. I’m not sure you’ll get a deeper insight into the human condition, although if you’ve never dealt with depression, maybe you would learn something? But people often don’t, if they haven’t seen it themselves, so maybe not. By and large, it’s a humorous essay book, and they all cover the same thematic ground. The specific circumstances of this one? Yep, funny.

I do really wonder about her self-image, though. Her drawings are all on par with each other, rough but good enough that you can tell there’s some real talent going into them. The dogs start out looking like caricatures of bad dog drawings until you realize how well she captures different poses and moods. All of the people look like people, and so forth. Except, her self portrait is of a worm with a blonde sharkfin, wearing a tubesock. This is universally true, every time, even amidst other perfectly normally (but still roughly) drawn people. It’s obviously a stylistic choice, I just… like I said, I cannot help wondering what it means, on the inside. The answer to that question does not, as far as I can tell, reside within this book.

But it’s still worth reading!

All-New Ultimates: Power for Power

51Cmme49xoLI have mixed emotions about the All-New Ultimates. For one thing, well, there just aren’t a ton of familiar characters left alive in the Ultimate universe, and most of the ones that are left moved on to the Future Foundation. It’s not that I don’t want to see Spidey and his Amazing Friends battle street crime, it’s that it seems silly to shoehorn them into the Ultimates, just so that team is still “alive”. Same plot, different title? I’d… well, I’d still have some complaints.

Because, all of that said: I’m not sure I saw the point of Spidey and his Amazing Friends the Ultimates taking on street level crime in the first place. I mean, okay, the gangs seem to have powers, at least a little? And there are leftover renegade scientists from the Oscorp and Roxxon days finding new ways to screw people up. So on paper (heh), it’s a reasonable conflict. But: the Serpent Squad? Really? Which is me complaining about how the villain side of the equation is just as depleted as the hero side. That’s a structural complaint, but I also have a related plot complaint, which is that it seems like I should have heard of any of these gangs before, if they’re supposed to be a big deal now.

But then, all of that is balanced by the team’s make-up. Spider Woman, newly christened as Black Widow, is the leader. Then there’s Spider-Man, Bombshell, Kitty Pryde, and Cloak and Dagger. You’ve heard of maybe half of those, which is why my point is not coming across, which is that the Ultimates is comprised of four ladies and two dudes, neither of whom are white. Get these people some actual villains and storylines, and I could find myself very excited by what Marvel is doing right now.

Also, just give Jessica Drew (that is, new Black Widow) her own title, already.

The Walking Dead: All Out War Part Two

81hYcJq6KNLSo, I finally reached the point I’ve been anticipating for like four books? Five? Years, anyway. All Out War (part 2) does not have a part three. Storyline resolved. For all that it matters, it was resolved satisfactorily, with clever turns, expected, unexpected, and subverted. I am quite satisfied with this book.

I am far less satisfied with the fact that another book will follow it. (In fact, already has. This is the kind of behind I fall when I’m not allowed to read for two plus months.) I hope I’ll find out I’m wrong, since I know I will find out, but I really doubt that Kirkman has new stories to tell. And I can’t even comfort myself by saying of course he had to write more, this one ended so terribly. Because, nope, wind or not, this was an ending. …could have been, anyway.

Ultimate FF: Strangest Ever

81hWGc63i3LThe newest wave of Ultimate books is finally here! Which is to say, they dropped within a week or so of the site coming back up, and despite there being three of them already, that’s just a timing issue and I’m not nearly as far behind as it sounds. Unlike if you were to be talking about Brust or Rothfuss or King or Butcher, to name a few twitches I’ve had lately.

Strangest Ever is certainly a book that lives up to its title. It’s not the Fantastic Four like you’d think (unless you’ve been following these plotlines, in which case you’d think that’s entirely ridiculous). Instead, it’s the Future Foundation, which is basically Tony Stark’s and Sue Storm’s brainchild to defend the planet against extra-dimensional incursions of the type that came so close to wiping out all life, a book or so ago. And that’s a good idea, as far as it goes. It’s just that it seemed to turn into an excuse to trot out every bizarre event that has ever happened in the Marvel multiverse. It turns out I have limits?

But that’s a matter of taste, which I accept. It’s not objective truth, like the fact that nobody wants to see a purple Iron Man. And it’s not something that clearly should be objective truth, like that nobody wants to see dead people come back. The whole Ultimate thing up until now has been so good about that, and okay, they had a really good excuse this time. They earn credit with me for not having used, much less overused, this excuse. But the reason why they have that credit is that they don’t do it. The whole thing makes me skeptical, is all I’m saying.

Anyway, my point is this: I look forward to seeing someone take the reins on the new era soon, and I especially thank my stars that Bendis has stuck around. Someone give him the reins, yo.

Powers: Cosmic

71DwWGj1SOLHonestly? I kinda got nothing here. This Powers collection has retroactively justified my recent acceptance of Captain Marvel into my personal Marvel comics canon, since it is about the death of Earth’s Cosmic guardian and what that means for the planet’s future. (Because, you see, that’s what Kree-born warrior Mar-Vell’s story has eventually metamorphosed into.) But otherwise, it is by and large standard Powers fare, with murders to solve[1], heroism to be performed, and major plot-points to be incrementally moved forward.

If I could talk about said plot-points without big spoilers for previous parts of the series, maybe I’d have more to say. Because there’s definitely a building theme over the course of the series, one that I could not have predicted before being an unregistered superhero got outlawed and which now seems unavoidable in retrospect. But, yeah, major character and story arc spoilers lie in that direction. Next book, when things come to what I assume is an inevitable head, I’ll just have to duck behind the spoiler cut and talk about it anyway, but since both character arcs were in set-up mode this time, I can safely wait one more time.

Meanwhile, a structural discussion. Every issue in this collection started with a coffee-house-looking open mic night, with a different random character from somewhere in The City(tm) doing a different not-quite-comedic stand-up routine. It’s not that they were bad, by and large. It’s that they felt like they were supposed to be making some kind of thematic resonance, either within the current plot or maybe even issue by issue. And, I flat out did not get it. I have no point here, I just wonder if that’s on me or on Bendis.

[1] Notably, the one I already alluded to.

Cataclysm: The Ultimates’ Last Stand

511fl0IJPOLThis is, what, the fifth Ultimate universe crossover event? Well, probably more even than that, but it’s certainly the second really big one, after the Ultimatum, which is cool because now I can start marking time from this instead of that. Based on the cover of this and many past books, I think it’s fair to say that if the Ultimate universe can even survive[1], this is certainly an event which changes everything, an event after which nothing can be the same!

And, okay, it’s a fair statement to make, right? The last time nothing could ever be the same, something like a third of the major and minor heroes died because Magneto flooded Manhattan and froze Europe solid. That’s some pretty hardcore destruction, and it certainly went after the highest density of heroes, with predictable and already-mentioned results.[2] If that sounds hardcore, then you can only agree that a confrontation with the literal purple-hatted Devourer of Worlds would be rather more Cataclysmic, right?

So, yep. Dire odds, check. Requirement for every single superhero to band together against total destruction, check. Desperate gambles, heroic sacrifices, senseless tragedies? Check, check, check. And of course, for anyone who’s been paying attention the last couple of years, we all know there’s only one person who can defeat Galactus, right? That’s some added conflict right there.

Like you’d expect, Bendis’ stories have the biggest emotional punch, but there’s really not a single bad moment anywhere in this event, which is far more than I can say for the muddled, incoherent mess that the Ultimatum storyline became. Let me say it like this: at the end of a story that featured significant amounts of Rick Jones, I do not currently despise Rick Jones. That? Is impressive storytelling.

And, y’know, it was valid claim after all. Nothing will ever be the same.

Probably.

[1] Spoiler alert: probably it can?
[2] Although, who could have predicted that the single largest impactful moment would have been the meeting between Ben Grimm and Victor Von Doom in the epilogue? Honestly, it’s still not clear to me whether even the authors are aware of just how instrumental that was to subsequent events.

Jack of Fables: The Big Book of War

51HD3y3QFQL._SY344_BO1,204,203,200_So, it happened the way I thought! (You know, thanks to the twin powers of authorial foreshadowing, logical consequences of previous actions, and foreknowledge of the subsequent book’s title. ….er, triplet powers.) Sure enough, all those inter-related Literals (who are living representations of various literary terms[1]) have proceeded with the war against each other to determine the fate of the Fables, who they all agree that they dislike immensely but apparently hate each others’ Final Solutions enough to shed each others’ blood rallying for their own specific cause.

You can imagine how that turns out for the Fables, I suppose, since this is a story and not real life. Plus also, there’s good old deceit-filled, beanstalk-climbing, always-has-an-angle Jack fighting on the side of himself, which is to say that he doesn’t want all the Fables to be destroyed since he is one and all. So: big war? Cool. Deeper understanding of what’s actually going on? Definitely cool, even if there are still pretty big gaps. Overall: it is 100% clear that the Jack stories just aren’t nearly as good as the main sequence Fable stories, and in fact that Jack himself is starting to be as unlikable to me as he was probably supposed to be all along on top of it; but still, they’re diverting enough to keep reading. (It helps that I know there aren’t many left.)

[1] For example, probably one of them I haven’t met yet is named Foreshadowing, and either knows what will happen soon or drops hints about what will happen soon without actually knowing that’s what he or she is doing.

Marvel 1602: New World

250px-1602_New_World_coverWhat do you get when you take the stable of Marvel superheroes, transplant their existence 350 years into the past (and initially across an ocean, but I think we all knew that wouldn’t last) and have the whole concept authored by the only comic creator ever to win the World Fantasy Award? Something that is, in all sincerity, pretty damn cool. What do you get when you follow-up on the aftermath of that first outing, using a completely other author that I’ve never heard of? Well, it’s a good thing I mostly like and am pretty familiar with these characters, at least.

New World, predictably, continues the story of the people of Roanoke, now that all of existence is no longer under dire threat. Instead, they have to deal with way too many “Witchbreed”, which is to say people with powers, and rampaging dinosaurs, and slimy land developers, and metal-suited men bent on revenge for historical wrongs. None of which was especially disinteresting, but the white man vs. indian plotline was trite and the rest didn’t hold a candle to its source material.

Most criminally for a story half of whose character arc was focused on Virginia Dare, she was barely present. I mean, she was there, working through her own “should I use my powers?” crisis, but that’s literally all any of her scenes were. “It’s too dangerous! I mustn’t! Should I?” Then, later, she decided. No process, no journey, just bad event leads to crisis leads to indecision leads to decision. Nothing reflective, no synthesis, nothing at all that would involve the rest of the plot, or some visible internal character growth.

I’ll say this, though: it’s nice that I expect comics to provide me with that. Hooray for a lot of people who are out there doing things right!