Tag Archives: fantasy

Apocalypse

51pDeMCtI9LApocalypse? We’ve all been there. The same old trips. Why should you care?

Well. Probably you shouldn’t. There’s the timeline collapse in just over a month, but that’s not it. It’s that the galaxy, far away and long ago though it might be, has been on plenty of brinks before. Maybe the stakes have never been higher than a mad god bent on domination and accidental destruction of all she surveys, but the fact of the matter is, plenty of those lower stakes that have come before have felt more like they mattered.

And I don’t think it’s that none of this is even semi-canonical anymore, nor even that I’m feeling escalation fatigue. It’s that after eight books in a series that arguably took more time than was necessary to tell the story at hand (probably by fifty percent, at that), the final book was incredibly rushed and earned almost none of its outcomes.

But the part at the end where they started laying groundwork for the next big series due to start in a few more years? That part, yeah, annoyed me because of the timeline collapse. This does me no good, you guys. None. All it does is leave unnecessary loose ends. And it’s not like it’s your fault? But it’s hard to forgive when the rest of the book was so disappointing already.

Ascension

519RnNkaTkLThen I read the one other book that is between me and being caught up. Downside: Ascension is the next to last book in that Fate of the Jedi series I’ve been reading, and I started the final book since, which means the story bleeds together a little. Plus also, nevermind 43 years of in-universe spoilers, it’s also reaching the point where it’s hard to mention anything and not hit big-time in-series spoilers too. Once again, not a ton to say about this one, long story short.

A thing that is noteworthy, though, is the tone of the series. It’s never been exactly grimdark; I mean, it’s Star Wars, for crying out loud! But the first two thirds of the series were all very serious, with an Imperial ex-admiral as chief of state for the current governing body (Galactic Alliance), and the Jedi in disgrace, and all the slavery talk I’ve mentioned previously, and a new incursion of a planetful of Sith, and a weird dark god trying to take over everything. Not that the final third hasn’t been like that, but there was a note of hopefulness throughout that has been firmly quashed. Not to the extent that I have any serious concern for the wellbeing of the galaxy or really even of any of the main characters (well, maybe a little bit), but to the extent that it doesn’t really feel like a Star Wars movie.

Upshot: I’m still glad this timeline is due to collapse in a month and a half.

Conviction

51PsKh7O1yLYep, still on pace to clear out my current pile of books, or at least most of the series I’ve already started but which are possible to finish. Conviction is the seventh in a nine book series, which means things should start coming towards a head. And I cannot dispute that exactly this has happened. The Jedi have meddled in politics to the extent that they seem poised for the same downfall orchestrated by Palpatine decades ago, Luke Skywalker seems poised to pull a Whiskeyjack at any moment, the fragile truce with the Sith has ended in a spectacularly bad way, and the slave thing from the last couple of books is… well, okay, that’s about the only thing that is going well. Long story short: while it’s hard to credit a Lucasbooks storyline ending in disaster, this one feels a lot more likely than the time extra-galactic entities invaded or the time yet another Jedi-turned-Sith started yet another galactic civil war.

Anyway, though, none of that is particularly important. I’m focused on the title of the book, instead. See, conviction has a couple of meanings right off the top of my head. There’s the one about a guilty judgment being rendered in court, and there’s the one about having a strong principled reaction to a topic. Both of these could plausibly apply to the book. On the one hand, a leftover plotline from the previous Sith civil war series is the trial of the Sithlord’s apprentice, who was manipulated into murdering a very old, very popular Imperial admiral. As you might imagine, this is the book wherein the trial wraps up and a verdict is handed down. But then also, you’ve got the slavery thing and the foolish Jedi political gambits thing and also you’ve got Vestara Khai, who I’ve previously mentioned is a present day Sith apprentice who is gradually being turned toward the Light, or at least it seems so. Plenty of space for the principled stand kind of conviction in any or all of these situations.

And seek it though I tried, I could not really find any obvious example of the latter in any of those slots. Which means that the entire book is named after an event that was maybe 5% of the current book and which has been maybe 10% of the series as a whole, and seems to have no real bearing whatsoever on anything that’s actually going on out in the galaxy meanwhile. Maybe I’ll be pleasantly surprised to report that what I’ve considered a dangling thread from a previous series is actually pivotal to this one instead? But man, there’s no clue that it will be, except for the literary one that it’s in the books at all. It may be a bad sign, that not being enough to satisfy me.

Vortex

51OaY2ueMYLOkay, I got fed up. It’s time to actually catch up with all my old partial serieses. At least this time I’m only a little over a year between books, instead of three? Anyway, right. Star Wars. Luke and his son Ben versus ancient evil older than 25,000 years of civilization, plus also uneasy Sith alliance, plus also Jedi Order in political quagmire, plus also slavery.

Vortex is totally a middle of the series book. Plots advance in retrospectively inevitable ways (at least, if you want the series to ever end, and at the two-thirds mark, turning a corner was something that had to happen), Sith apprentice Vestara Khai continues to be the best thing about the book, and… you know what, something just occurred to me. I think the series may be trying to finally take a hard look at the difference between the light and dark sides of the Force.

Because, look. It’s easy to say Sith are evil and Jedi are good, and that’s the Lucasian end of the debate. And that kind of works if you also say that there are only ever two Sith, because of how they hoard their power and their trust. What would be the point of a non-evil apprentice if you yourself are evil? But when you expand it to a society (the Sith used to be a species, even if that is no longer particularly the case), well, everyone isn’t evil. Not possible. That doesn’t mean that you can’t fuel your power with anger instead of peace, and of course not all anger is evil. Righteous anger is a concept that exists for a reason. So on the one hand the series is showing multiple Sith, all of whom are shaped by their society, some of whom are evil, but some of whom are looking for revenge for probably real slights at most, understandably mistrustful of their longtime enemies at least. And on the other hand, the series is also showing Jedi who have reached different but clearly ethical conclusions about an intractable debate, and then being forced to proceed.

If Jedi can disagree unto death without either of them going “dark side” and Sith can assist in preventing the ascension of an insane god out of enlightened self-interest instead of going “light side”, then the Force is as complex as it ought to be. I’m amused that a fundamental change in how the Force is understood by Jedi and Sith alike might be on the verge of occurring in a timeline that will collapse this December.

The Unwritten: On to Genesis

81p2Syxd-YLRight after being concerned that I had no clear idea about what anything actually means in the Unwritten series, I accidentally forgot to read the next book for more than a year, due primarily to a shelving logic failure. This is unfortunate in part because, man, I’m just bad at keeping up with most of these series, but especially because as of the current book, I feel like I have a handle on things. Which says something good about Carey’s ability to know when to stop spinning the plates, at least long enough to explain himself. (Also, he’s better at metaphors than I am.)

On to Genesis, in addition to being a clever play on words, lays bare all the questions you may have had about Tommy Taylor and the mysterious organization with which he has been vying for lo these many years. And it leaves plenty of room for whatever will be happening next, proving that you don’t have to be mysterious all the time to avoid running out of story. I guess most authors already knows this, and I’m looking at television show runners here. Either way, it’s a good lesson!

I won’t be saying anything about the actual answers he’s discovered, because they’re cool enough to deserve not being spoiled. I’m just pleased to be able to report that the series isn’t wandering aimlessly after all. Next time: less than a year away, I reckon!

Jack of Fables: The New Adventures of Jack and Jack

71DrhQKXp1LSo, the last thing that happened in Fables was all of reality was saved from uncreation. Which, y’know, cool. Now that that‘s dealt with, time to see what’s going on with Jack Horner and Jack Frost (who were fairly major characters in that particular endeavor, you see).

The New Adventures of Jack and Jack are… well, they are new adventures which star Jack and Jack, that much is true. If you are sensing some kind of overlap between the two eponymous characters, well, that is what we in the industry refer to as a mislead. Jack Frost has wandered off into the storybook worlds to be a real hero, while his father has wandered off by himself (well, not by himself, his sidekick is always there, but you know, still away from everyone else) to revel in the fact that he finally has a big treasure all his own. And that’s pretty much all that happens! Admittedly, it’s a five issue trade, but after all that has gone down in the past of this series, you kind of expect more than a single heroic quest and a single… well, while admittedly Jack Horner does almost nothing, there is a major plot progression that occurs, so I shouldn’t complain too much.

I do wish to complain that they’re both named Jack, though. The whole point of a dude having a name is you can refer to him by name, and the people listening know who you’re referring to! ….not anymore, I guess.

Reaper Man

51qK2OscKWLThe odds that you are a) reading this and b) do not know that Sir Terry Pratchett died last month or b’) why that is tragic and relevant are astronomically low. I’d have read the next Discworld book soon regardless, but I read it sooner still because of the tribute factor that seemed necessary. And then I’ve sat on it for a week or more, because… well, this is not a because that can be finished in the back half of a sentence.

I guess the first thing to be aware of is that Reaper Man is about Death. “I know, I know,” the hypothetical you who is reading this review without being aware of the intersection of facts above is thinking, “of course it is, it says so right there in the name that it’s about death.” Well, by coincidence you’re right, and that’s relevant too, but I mean to say that it’s about the personification of the force of death in the universe, who is about to be forcibly retired by whatever it is that audits the universe, for the crime of being a personification instead of an impersonal force as would be good and proper. So, he decides to take a vacation while he still has the accumulated time off to do that, and then everything stops dying, with probably less predictable results than you’d think.

It’s possible that you’ve already spotted what happened to me over this book, but us nodding knowingly at each other across the miles of fibers and routers is not really the stuff of which a good review is made, so I’ll pretend you have not and continue. You see, I’m reading this book, by an author I like and I know many of my friends love, who has recently died, and the book is about death. About not wanting to die, or about living beyond your term and trying to decide how good or bad that news is, about the impact of death on the world, about the impact of no death on the world.

So, you know what happened, right? I was disappointingly, but also inevitably, underwhelmed. How could I not have been?! Perfect storm, right? But it wasn’t just that. See, the book has three completely unrelated stories in it. There’s the Death on holiday thing I already mentioned, and a wizard who has lived on past his appointed time, and a threat to Ankh Morpork (the biggest city on Discworld) that the other wizards must band together to fight. And okay, I technically lied. All of these events are caused and/or affected by each other. But from a story viewpoint, no. They are not intertwined, they barely come together, and the city threat / wizard fight story that does the most to bring them together at all is by far the worst.

Basically, what I figure is, he had two really good story ideas (and they are, both of them, quite good!) that he figured were each too short to hold a book, but since they were related they could be tied together… and then he came up with nothing much of a much at all for how to accomplish that. But some editor incorrectly thought the joining story was funny and/or relevant, and here we are, with the worst tribute review in history.

Sigh.

The Alloy of Law

51ewY4KqOmLI should have finished this book weeks ago, right? But at 75% through it (and, as I later discovered, right at the cutoff before the climax started, so at least my timing was good?), I lost my tablet in a tragic accident involving angular momentum and inertia; a few hours later, I learned that the touch screen of my Kindle Touch had ceased working, which made it unusable also even though it powered on nice as you please. Both devices have since been replaced, which is nice, and in the meantime I read a paper book, as you know.

If you wonder why I roll my eyes every time someone disparages my physical collection of dead trees, this is pretty much why right here. You can say I could have read things on my phone in the meantime, but…. nope. Too small, wrong proportions, just, no.

In the meantime, though, I’ll keep buying stupidly cheap daily deal ebooks because I am Amazon’s bitch, which in this case explains why I didn’t have a physical copy of The Alloy of Law in the first place. Obviously I like Sanderson and would have bought a Mistborn sequel, right? Just, the ebook found me first, so.

As far as the book? It was interesting having the same experience as the characters, where history had faded to legend, and most of the details were probably wrong. See, the book is set hundreds of years after the Mistborn trilogy concluded, and while it has not been hundreds of years for me personally, I could hardly remember more than the broadest strokes of what went down, and the characters here thinking over the way the world used to be, it was just wrong enough for me to know they had things wrong without knowing what was right instead. I don’t know how to have that kind of experience except by sheer luck, but it made the book an extra bit cooler, no doubt.

Anyway: it’s a Mistborn book, right? People can use allomancy to take certain metals and give themselves cool powers, same as always. But now there are guns and trains and… it’s not steampunk, right? There’s no steam-based science, mainly. Magic, sure, and a Victorian period setting, but those do not steampunk make. If you’re allergic and that’s what was keeping you away, don’t worry! If you’re allergic to a world evolving over time, that’s silly. If you didn’t like Mistborn the first time around? Well, this is not epic fantasy like that was, and it may help? But it is almost certainly the first book in a trilogy rather than fully standalone. So if you’re allergic to that, I got nothing.

Otherwise, enjoy! I did.

Fables: The Great Fables Crossover

71deB1atlsLThe thing that makes very little sense about The Great Fables Crossover is that it was categorized as a Fables rather than a Jack of Fables trade. From a character sense, there’s no denying that every character crossed back and forth freely between the serieses, but from a plot perspective, the threads of the ongoing Fables plot (which as you will no doubt not recall is the aftermath of victory against the Adversary) barely budge, whereas the threads of the ongoing Jack plot are finally completely wrapped up, leaving one to perhaps wonder why Jack still needs two more (three more?) volumes of his own.

Be that as it may, the stories are still pretty great and the stakes have never been higher. When you have a guy who can (and plans to!) end reality and start over with just a few strokes of his pen, well, I suppose it’s no wonder that a plot is getting wrapped up. You know, one way or another.

I feel ever so slightly bad that I’m being a bit cavalier as to the outcome of the endeavour, but there are two things to consider. First: granted how very meta characters based on literary concepts are in the first place, I think it’s fair to say that all of creation being wiped out and written anew is a possible outcome that could still allow for more stories to be told. Second, and far more relevant: I am staring at 17 subsequent Fables trades that I have not yet read on my shelf. It’s hard not to be cavalier under the literal weight of that metaphorical onslaught on my psyche.

Jupiter Ascending

MV5BMTQyNzk2MjA2NF5BMl5BanBnXkFtZTgwMjEwNzk3MjE@._V1__SX1859_SY893_While choosing which poster image to use for this movie, I came across the knowledge that its original release date was mid July. I’m not sure if it was pushed back from 2014 or pushed up for this year, and honestly, it doesn’t matter. Either way, a lot of what you need to know about the movie is contained in that simple fact. Summer blockbusters that get moved to February are flawed in a way that the studio did not expect.

Jupiter Ascending is deeply flawed. It reminds me of nothing so much as a book adaptation where the director was so focused on cramming as much cool scenery and as many important events into the allotted running time that they forgot people who had not read the book would be seeing the movie, and might need some hint as to what is actually going on in and around all these cool places and events.[1] But no, it’s from an original script.

That said, everything eventually does make sense, it’s just that things are told out of order, and not in a way that would be excused by the audience learning what’s up alongside Mila Kunis, like they did with Neo in the Matrix. I think it’s destined to be a cult classic if enough people give it the time of day over the next couple years, and not because it’s bad (or at least, not just because it’s bad). See, it’s like this. If you want a movie that has the grand unified theory of conspiracies, including everything from the Reptilians to the Greys to Elisabeth Bathory just for starters, this is that movie. And a movie like that, if done even half competently[2], is going to get a cult following. Mark my words.

(Shameful admission: I kind of dug it. Maybe because Mila Kunis was named after the smart member of the Three Investigators?)

[1] And believe me, it’s a very, very pretty movie, if perhaps not quite as cool as the Wachowskis expected it to be.
[2] Cheap shot or not, half competently is pretty much right on the nose.