Tag Archives: graphic novel

The Boys: The Name of the Game

It’s not that it’s unusual for me to start a new series now and again. But it’s highly unusual for me to read three graphic novels between actual prose books; still I’ve had a batch of these books on loan for a good long time, and it seems the fairest thing to do is burn through them as quickly as possible. Which is to say, you know, not literally all in a row, that’s crazy talk. But one per graphic novel break? Most definitely.

Way back at the beginning of my time in graphic novel reviews, I read Garth Ennis’ Preacher series. It would be fair to say I enjoyed it, with the despite / because-of dichotomy of the hyper-violence and the hyper-sacrilege alike to be left to the reader to decide. I think I’m correct in saying that The Boys is the first thing I’ve read by Ennis since. Not to worry, it is still pretty violent, at least going by The Name of the Game[1], and sacrilege is less relevant this time around anyway. Also, it made a nice companion-by-contrast piece with Powers, since that is also about people dedicated to dealing with super-powered persons in the world, those times when they fail to police themselves. (Which, in my long and still-stalled history with classic Marvel, not to mention a sizable number of other volumes over the years, computes to practically always.) The difference is that this particular policing group is comprised of people who really dislike and distrust the super-powered community, and are not afraid to show it, whether via blackmail, veiled threats, or bloody violence.

So, yeah, I’m prepared to keep going. The superheroes are mostly horrible people, and I am so far enjoying that contrast with the normal situation. Plus, there are hints of a Romeo/Juliet scenario in the works, and I do want to see how that goes and if I will end up hating some of the nominal protagonists of the piece when it all shakes out. (This seems more possible than it might otherwise when you learn that a sizable portion of the Boys are psychotic.) But I’m pretty disappointed by the homophobia in this one. I can deal with the misogyny, because it serves the plot in a meaningful way, and I expect there to be a payoff. But the homophobia was not only puerile[2], it was irrelevant. Am I really supposed to believe that, in 2005 or so, someone would have to take a leave of absence from their supergroup because he had decided to out himself as gay?

[1] If anything, I anticipate that Volume One is going to seem light and cheerful by comparison to future events.
[2] And believe me, it was. Gerbil jokes? Seriously?

Powers: Legends

I knew it had been a while since I last read anything in the Powers series, which is why I scanned my last couple of reviews. I thought (while I was reading this volume) that I still had a good grasp on what has happened lately, but one likes to make sure. What I would not have been able to guess is that it’s been significantly over a year. I guess if you do something for nine months, eventually the stuff you were doing before is more than a year ago, but still. Shocking!

But also prescient. Actually, scratch that. Terrible segue. I was prescient during those year-old reviews, is what I meant to convey. Because, see, well, let me quote myself: “Powers [are] basically outlawed altogether. (Which only makes a limited kind of sense in a world with supervillains, but roll with it.)” And sure enough, Bendis was able to spot that flaw just as quickly as I was, which is where Legends picks up some significant period of time after the events leading to that outlawing I mentioned. Cops such as our protagonists Christian Walker and Deena Pilgrim are facing super-powered mobsters, and with a toolset to deal with them that is limited at best. And that’s fair enough, I like it when bad choices have consequences.

Of course, I like it less when bad choices made by other people have consequences to the common wash of humanity (and not incidentally characters I’m invested in) instead of to themselves. But it’s cool, the book is also about that, at least a little. No, you know, it’s about that a lot. The common folk see the consequences their politicians have forced upon them, the exiled Powers see the consequences, certainly the powered villains have seen the opportunities long since, and the only remaining question is how each group will react to their new-found knowledge.

All this, plus: three characters have shocking secrets!, and one character meets a shocking end! Yeah, okay, look, it’s not a perfect series by any means, but I like it alright.

Ultimate Comics Ultimates – Volume 2

I have previously pointed out that the current Ultimates run has been turning the dial to 11, and I think that has been true of the Ultimate series[1] in general since pretty much Magneto’s Ultimatum and on forward. Even the most laid-back of the current storylines, surrounding Spider-Man, has had a major character death in the not-too-distant past. Meanwhile, this particular episode has reached a conclusion of sorts, although not without multiple devastating nuclear strikes and a more-divergent-than-usual final outcome. And I’ll admit, however much I may have complained that the Ultimate line is working a little too hard to achieve the appearance of a full-throttle, all stories have major consequences! approach to things, it is nice to not be familiar with what’s coming next like I used to be during the first decade of that run.

As far as the current conclusion, I’m hopeful that something useful will finally be made of the main villain, whose identity I have been trying to keep quiet over the last few reviews; as things stand currently, all I have is a question mark about whether I’m expected to believe his beef with humanity (and the Ultimates in particular) is as straight-forward as it seems[2] and a smaller question mark as to what precisely occurred in his final scene of the book. Also, Tony Stark? Still cool.

[1] There is a definite downside, Marvel of ten years ago, in having one letter to distinguish between your current world-building / imprint and a team of heroes that reside within that world. I’m a little amazed I haven’t complained about this before.
[2] Because yes, I will be extremely disappointed if the most powerful Ultimate Comics villain since Galactus is only a villain because he was feeling butt-hurt and didn’t get over himself. That right there is a massive character shift with no provided explanation. (Ironically, if this were regular Marvel, I would completely believe it. That guy has always been a dick.)

Jack of Fables: Americana

81lL7PMB-7LSo, this is cool. I’ve figured out what’s actually going on in Jack of Fables, way after the fact. (Probably way after anyone else who has read these books, for that matter.) Remember when he got captured by a bad guy named Revise who has been gathering up Fables and keeping them in a camp while making people forget that they ever had any stories, in the hopes of turning the whole world Mundane?

It turns out that Jack’s ongoing quest to garner increased fame, power, and wealth is actually beside the point, despite what he would constantly have you believe in his position as occasional narrator. Now that the war is over, this Revise guy is probably the most important thing happening in the entire Fables universe, and Jack just happens to be caught up in the swirl. I cannot decide if he would be offended by that or think it just and right that he’d be at the center of the action. (He would never admit he isn’t the center of the action, either way.)

Anyway, though, Americana: besides the other things that are obviously happening along the way as per above, Jack is now looking for a way into the American Fable country where he can find Cibola, the lost city of gold, and get, you know, rich. I’m glad that Revise’s three hot librarians[1] keep managing to keep tabs on Jack, though, because they are stuffy and hilarious, and I think he would be insufferable if left to his own devices.

[1] No, seriously. It’s not just comic art rendering everyone hot. There’s a t-shirt and everything! Also, in case you care, the three hot librarians are sisters.[2]
[2] Okay, I admit that knowledge to be gratuitous.

Ultimate Comics Spider-Man – Volume 2

I hate finishing the Miles Morales Spider-Man books, because I’m stuck the same place I’ve been for more than a year now, resenting the lack of Peter Parker. Why couldn’t he just have been a new character? And I want to say that the right answer is to just acknowledge it once and for all, take it as something that’s going to color all of my reviews, and consider the matter closed until and unless I change my mood on the topic. But then they write a scene where Aunt May and Gwen Stacy are trying to get on with their lives in Paris and see a newspaper announcing that there’s a new Spider-Man, and how am I supposed to ignore my plausibly unfair reactions when the writer of the story is right there telling me I’m not the only one?

All the same, it is getting old at this point, so I suppose I’ll follow my own initial advice and disclaim right here: I resent these books, so far, for not having Peter Parker in them. I also resent the comics industry in general for training me to believe that this is only a temporary situation, even though the Ultimate Comics line has been, if not perfect, at least very good about leaving dead characters dead. So I keep thinking, “sure, but this time is different”, and that thread of hope also makes it hard for me to commit fully to the stories about Miles the way that I should. The upshot of all this is that it’s an ongoing issue, and I know about it, and I’ll try not to mention it anymore. Just so long as you try to be sure you stay aware of it, because otherwise my potential future hemming and hawing may seem odd.

So, the kid Miles Morales who’s the new Spider-Man? He actually does have a pretty interesting life of his own, what with a criminal uncle who wants to exploit him, and his parents who have mixed feelings on the mutant-in-general and Spider-Man-in-specific phenomena, and his having been provisionally accepted by the official super-hero community, and especially by his being thirteen, which is just ridiculously young to be involved with all of these adults criminals and adult problems.

Of course, the aspect I am the most intrigued by is the mirroring effect, where Miles’ uncle is not only not the driving agent of positivity in his life, but may well turn out to be the agent of destruction instead. Which of course makes me pretty excited for the next book in the series, where that question is likely to come to a head.

The Walking Dead: A Larger World

I’m thinking that there are two things going on in The Walking Dead as an overall series. One of these is the occasional moment of plot shock. You may remember opening a certain door in the prison and learning exactly why a certain prisoner had been imprisoned, for instance, or more recently the outcome of a certain gunshot. Clearly these moments, while meaningful to the characters and their lives, are the simplest parts of the story creatively. So I’ve been trying to figure out what else is going on, especially after the mislead regarding a cure that kind of caught me off-guard and left me wondering if the series is even still worth reading. I do like the shocks and to see what happens next, don’t get me wrong, I just need to know that there’s some kind of plan to what happens next, and I’ve had my moments of doubt on that point.

As of A Larger World, I think I finally know what’s going on. This is… something I already said in the last review. And now I’m already halfway in with nothing more to say. Unexpected! See, my point had been that the series is basically Abraham Maslow’s hierarchy of human needs, with zombies. Our heroes started out just trying to not die, and then to find shelter and food and love, and now they are nearly at the end of the journey. There is safety, some amount of acceptance, and the promise of other survivors out there in the, er, larger world. Does this mean that communities can be built and the world return to normal? Yeah, I dunno, but I do know that you can’t carry the story farther than the outcome of that question. There might be one more book to the series, or there might be two, but I cannot believe there can be much quality literature beyond that point.

(I’ll still read it, because there will still be characters I care about struggling against zombies. But the story, such as it is, will be over.)

Ultimate Comics X-Men – Volume 1

It is frustrating to realize that the first volume of the Ultimate X-Men relaunch[1] is set entirely before Ultimate Hawkeye. (It is more frustrating to remember that this is a trend, with Ultimate X having been set before (and released well after) a certain recent Spider-Man storyline as well.) But except for timeline and mild spoiler woes[2], I am in the same position I was last time, grateful for a story that cuts the tension and doesn’t try to be everything. Which, when you consider that the driving force behind the current X-Men is the imprisonment or death of all mutantkind, is saying kind of a lot.

Anyway: in addition to giving me more time with Kitty Pryde, Rogue, and Iceman (and for now at least, Johnny Storm), there were hints that a good number of other folks are still kicking around, waiting to be re-introduced. And there were hints that this is a long haul story that will continue to focus on human interactions instead of that spate of “Look, this is big! And important! And explodey!” that I was just complaining about from the Ultimates yesterday. And since I know I can trust Bendis to keep doing right by Spidey, that means I should expect to like two-thirds of the current Ultimate storylines. I accept!

(Plus, despite my annoyance, the Ultimates are following a character I really want to see the next few steps from, so at least they have my interest, if not yet my entertainedness.)

[1] I cannot bring myself to say reboot because this is in no way a jettisoning of any continuity.
[2] And honestly, they may have each been written after the other events in the first place. I have no way (short of exhaustive and uninteresting research) to tell!

Ultimate Comics Ultimates – Volume 1

I think it is clear by now that I’m not going to be as timely with my updates as I used to be. It’s been maybe two weeks since I read the first volume of the new Ultimates series? And yet here I am, only now finally remembering that I ought to have reviewed it. (And I think I didn’t see a movie since then? I know I haven’t finished a book, but the lack of certainty is a very sad thing. Man, I miss the normalcy of just reviewing everything right away.) (But in the subsequent week or two since I wrote the rest of this paragraph, I have seen a movie and finished at least (and hopefully at most) two books. So you can see that this is really not going according to my master plan.)

But, so anyway, those Ultimates guys. They are having bad times, which I suppose is pretty much always the way, since they are Nick Fury’s protectors of Earth, like, the whole planet, rather than just fighting random supercriminals like Spider-Man does. In addition to the really crappy turn of events surrounding Hawkeye’s run-in with the latest batch of mutants and Captain America’s recent retirement into shame and seclusion, now it’s time to face a society in an impenetrable fortress who has come from nowhere with the agenda of smacking Earth’s mightiest superheros around like piñatas. To give you an idea of just how bad things are, the first thing that happens is an overwhelming assault on Asgard. You know, the one where all the gods that Thor pals around with come from.

If you’re not entirely clear on when everyone decided to accept that Thor’s divinity is real and not just a matter of cool tech and personal insanity, well, you’re not alone. But why should that stand in the way of amping everything up to 9,000? I, uh, I maybe miss the way the Ultimate universe was being written in 2004, it turns out. Except for Bendis, it looks like any hint of subtlety or human stories is well out the window under the Ultimate Comics imprint. But then again, maybe the first X-Men volume will surprise me?

Ultimate Comics Spider-Man – Volume 1

Brian Michael Bendis has impressed me no small number of times over the past, what, four years? This probably isn’t the most impressive thing he’s managed, and it’s probably not the first time I’ve thought it might be. But you have to admit, winning me over on a new Spider-Man is pretty impressive!

It’s just, as I have certainly said before, I have a real attachment to Peter Parker. So, when he died as a part of the Ultimate Universe reboot of ought-ten, I was not, how you say, thrilled. But the editors and (in the case at least) the authors had earned enough street cred for me to accept that life is permitted to go on; so I’ve stuck around to see what happens next. And what happens next happened previously, too, as is only fair. (Bendis in particular has always played with flashbacks to fill in events that happened simultaneously with the meat of his stories, and rightly so. I had no need of knowing about Miles Morales’ unlikely rendezvous with an Oscorp spider when Spider-Man was alive and the direction it was going to go was still hidden from everyone, Miles most of all.)

So, here we have an implausibly young[1] mixed-descent kid from Brooklyn (I think), who gets bitten by a different spider and develops different powers, just in time to fill the impossibly large shoes of a hero. I can accept the coincidence because it’s a superhero world, where coincidence is dictated by fate. And I can accept Miles, at least provisionally, for, well, a lot of reasons. Different powers. Universal unhappiness at his initial attempts to fill the shoes of said really big hero. His own willingness to help and learn from Peter’s example.[2] And, perhaps oddly, perhaps as fittingly as it’s possible to be, Nick Fury’s reaction to his existence.

I still think this was a huge mistake, and I still think the Ultimate Universe has lost something critical, last year. But I also think that this subsequent story will be worth hearing, and I really wasn’t sure about that in 2011.

[1] Peter was 15 when he was bitten, and possibly as old as 17 when… later. Miles can’t be older than 14, and 13 seems more right.
[2] Seriously, I welled up again at his perspective of the climax of final last book of the original run. Which answers that Moiraine question, I suppose.

The Unwritten: Inside Man

To start with, yes, I will be reading more of The Unwritten. It is about literature on every level: in plot, in theme, in voice, and I’m sure more ways that I haven’t thought of yet, and by gum, I don’t have this degree in English Literature for nothing. It’s really smart, really convoluted, and I expect to know more things at the end than I knew at the beginning, about the psychology of readers and reading as much as about the creation and function of stories.

As for Inside Man, aside from being obviously good enough to win me over, I can say a few things I suppose. In addition to following Tommy Taylor into prison (for a crime he didn’t commit!, no less) and into Nazi Germany, it explores the psychological impact of stories. On children and adults. On the stories themselves. On (at, okay, a more metaphysical level) the very earth upon which they occur. And then, after reading five issues’ worth of storyline that seems like it was made specifically to accommodate my personal interests, it’s capped off with a cautionary allegory set in Carey’s parody of the Hundred Acre Woods. So it may be fair to say that the closer your (non-horror, non-cult-classic) tastes match mine, the more you will like this series.

But man, there sure is a lot of foreign language in it, enough that I end up not trying to translate it. (This complaint is probably properly directed at me, not the book.)