Tag Archives: superheroes

Justice League

You may recall that Wonder Woman was a solid movie, and that it gave me the impetus to watch the other DC movies I had skipped in the meantime, which, I mean, they were not abominations upon the face of the earth, but neither did they exactly inspire any more confidence in the DC train than the previews upon the basis of which I had originally decided not to bother.

Still, now that I’ve watched the whole series, might as well watch Justice League, right? And it was fine. Better than anything besides Wonder Woman, and it had some pretty sweet musical cues at key heroic moments, but… well, it’s like this. You know how DC missed the whole point of what Marvel was doing when they decided that one movie was enough of a lead in to their team-up movie?[1] By the same token, they missed the point exponentially moreso when their existential threat to the planet from space was introduced as the plot of an entire movie without ever having mentioned him before.

Plus, I mean, Steppenwolf? That’s a band.

But I still like the Flash, and like I said, it was mostly pretty good. It would just be better if I didn’t have ten years of Marvel to compare against, and if I weren’t snickering every time they mentioned the guy who is here to destroy Earth without also pointing out that he was born to be wild.

[1] And okay, technically that’s not how it went, they made like four movies total before Justice League. But Man of Steel[2] was just another Superman remake when it came out, and I honestly think it’s more coincidence than design that allowed Wonder Woman and Suicide Squad[3] to fall between Dawn of Justice and this one. Which ultimately means I’m shaping the facts to suit my narrative, but I’m not lying when I say it felt this way.
[2] Somehow, I didn’t review Man of Steel. That was an oversight.
[3] Also, let’s be honest, even though Suicide Squad is in the same continuity, it does not build toward anything here. It’s like a spin-off.

Ant-Man and the Wasp

If I think about Ant-Man and the Wasp outside the context of the comics in general and the Marvel Cinematic Universe in particular, it is an anodyne, albeit fun, heist movie sequel, which I have no idea if I would have bothered to watch. But there’s something to be said for a summer popcorn chase movie, and even if there weren’t, I do not think about these things outside their context very often. (Also, most heist / chase movies are not able to use a building[1] as the constantly stolen and restolen object, so that’s pretty cool. Thanks, Pym Particles!)

As a Marvel movie, it’s, yknow, also an anodyne heist movie. Better than Ant-Man, both in how it treated its heroes and its villains[2]. Solidly middle of the pack as a Marvel movie overall, and considering that I like these pretty well as a collective, middle of the pack is good news for me!

Also? Best blanket fort of all time. Including the one in Community.

[1] I’ve just realized that the internal physics of this pair of movies are irretrievably broken.
[2] While I’m not exactly classifying Hank Pym as a villain here, I do appreciate how his jerkish, just barely this side of bad guy, behavior actually ends up having consequences. (Though I could wish fewer of them were to his shrunk out of existence wife.)

Deadpool 2

So, cool story, I saw a Deadpool double feature on Thursday. Which was only five six days ago, which means I guess I’m doing better than usual? Sigh.

Anyway, I still like the first movie. I did not laugh as hard, because familiarity, but I still laughed. Later, they showed Deadpool 2, which I also liked. The short version is, it’s the same movie again. Yes, the plot is different, but it’s still Ryan Reynolds mugging for the audience and choosing ridiculous, hyperviolent solutions to problems whenever possible[1] while Colossus looks on disapprovingly.

Did I like it unreservedly? Nah, it had some problems.[2] But even though the final act was too busy and muddled[3], there was a good story in there with at least one good character arc, and also I am really very much a fan of one of the new characters. So, muddled final act, problematic plot devices and all, I still dig this movie, and I’m pretty sure I look forward to a third one. But the first one is damn near perfect, and this was very much not. Oh well! It’s still funny.

[1] Can he grow and learn? I mean, maybe. Maybe not though.
[2] Another thing I hate about taking so long to review movies, aside from the guilt factor, is that societal reaction / consensus creeps into my opinions by now, and I don’t like it one bit.
[3] The fan service got in the way of the main plot, very distractingly. (And I say this as someone who was extremely pleased by the fan service!)

Avengers: Infinity War

Man, I screwed the pooch. It’s been what, two weeks since I saw Infinity War? In the meantime, it has been discussed to death, both with and without spoilers. Which is sad because it means probably that I can say nothing new, and anyway the only novel thing I had to say in the first place is kind of a spoiler.

But, here we go nonetheless, since I pathologically can’t just not review the things, I can only feel guilty about not reviewing them.

They have been calling this new Avengers movie the most ambitious crossover in history, ten years and eighteen movies deep. That’s not entirely right, because the first few movies leading up to the first Avengers did not foretell this. Not really. But as far as ambition goes, I cannot disagree. For the number of characters involved, none of them was ignored or given short shrift. (Not wholly true, as some characters were literally ignored by not being in the movie, but if they were in the movie, I mean.)  And the pacing was great. In a world of modern action cinema where scenes cut every minute or two, this was divided into 10+ minute chapters focusing on the characters involved from start to resolution of a scenario (or at worst, start to nadir, with the next scene fully exploring resolution). It’s hard to remember that movies[1] used to work this way, instead of snippets of individual strands that only weave together at climax.

So, A++ for ambition and execution. I also liked the plot and most of the character beats, although I understand why some people did not. Basically, my point is: if you have invested in eighteen movies and a handful of optional TV series leading toward this movie, you should check it out. They stuck the landing.

Spoiler-esque observation as first comment.

[1] Again, action / genre movies. I understand that your snows falling on your cedars always kept to that path.

Black Panther

It took me until Monday night to see Black Panther, which was in a way annoying but in another way heartening. Tickets all Sunday afternoon and evening were sold out down to the front couple of rows, you see. This pleases me, both for the studio and the character. And not having seen it on Thursday night, it’s not like my review was going to factor into much of anything at all, so.

The thing is, T’Challa is a compelling character and Wakanda is a compelling nation. There is a book that I have not read called Guns, Germs, and Steel that lays out an (as I understand it) compelling case for the idea that European dominance of the colonial and modern world has a lot more to do with geography and resources than with any innate superiority of its peoples. Enter Wakanda, a small African nation whose technology is far ahead of any part of the world not personally owned by Tony Stark, because that happens to be where a huge chunk of vibranium[1] landed lo these thousands or millions of years ago, and the Wakandans happened to get there first. And you can say that this is so much wish fulfillment. Probably that’s true? But it’s awfully comfortable saying that if you happen to be the person whose wish was fulfilled by reality instead of the person whose wish was not.

And to a large extent, that’s where my review ends, because as cool as the Black Panther is, and as fun as it was to see him rushing around the world fighting some of his biggest name enemies from the comics, and as well realized as his fellow Wakandans each were, and as socially and historically relevant as Killmonger’s origin story is, the real star of this movie was Wakanda. And they did that country up right, every bit as well as Asgard or Ego have been presented in previous MCU flicks.

[1] It’s what Captain America’s shield is made out of. More to the point, it’s virtually indestructible and has a number of rather intriguing properties in addition to this that make it a boon to scientific and military advancements over time. It’s, y’know, handwavium.

Thor: Ragnarok

The problem with reviewing a new Marvel movie is the same as the problem with reviewing a new Dresden Files or Vlad Taltos book: too much accumulated past knowledge is required.That is, the only way to come close to getting a coherent thought out of me is if I assume you are aware of everything that has come before. Otherwise, I’m bound to spoil for previous movies.

For example, Thor: Ragnarok, which is not only the third Thor movie, it’s in the high teens for total Marvel Cinematic Universe movies overall. And okay, they don’t all of them interweave so tightly that you would need all the movies under your belt, but it’s still something like five or six, just to cover all the returning characters.

So, screw it, I’m doing that spoil for previous movies thing. See, the first Thor movie was about learning how to be worthy. Thor starts off as a bro, and needs to be a hero instead. Cool. The second one was about family (and also a little bit about the eventual Infinity War that we’re not quite to, yet, but that’s plot, and I’m talking theme here). Like, Loki is still a bad guy, or at least a mischief guy, but the brothers are brothers again and don’t have to spend so much energy on hating each other. It was nice!

This third movie is about becoming an adult. Training wheels are off, the end of the world Asgard is at hand, and Thor (and whoever else is willing to side with him; telling you in advance would be, well, telling) has to figure everything out for himself. Which, not bad for a dude who was a bro like six years ago. I mean, assuming he succeeds. But trying is also pretty cool. Bro Thor from 2011 would not have even tried to do anything except maybe tug on Odin’s arm, unless it was to charge forward blindly and get himself killed in the first thirty seconds.

So, that’s what the movie is. Remaining things to know are that it was almost more comedy  than action movie; that it has my personal favorite use of a Led Zeppelin song; that of course it was good, although at the same time it’s hard to know how to trust my opinion here anymore[1]; and that… no, I take it back, anything else I could possibly say would definitely be spoilers. Go see it!

[1] I mean, I didn’t like the Inhumans series, so at least I know there’s a bottom to this well of good faith.

Spider-Man: Homecoming

I saw the MCU[1] version of Spider-Man nearly a week ago, which is becoming an uncomfortably common trend. I kind of have my job to blame, but maybe the ability to write and post from work (thanks, wifi hotspot!) will put a kibosh on all this. Then again, considering the degree to which my workload is about to increase, maybe it won’t.

Almost everything I want to say about it is along the lines of “How cool was it when…” or “Did you notice the easter egg about…”, which is problematic mainly because all of those things are spoilers. What’s not bad is that it means the movie was extremely cool and fun for me, and probably would be for you as well.

In any event, this borrowed as heavily and as obviously from Bendis’ Ultimate Spider-Man as most of the rest of the MCU has done from respective other branches of the Ultimate Marvel series, which as you will know from years of my reviews of Bendis’ work, I strongly approve of. Peter is a good kid who’s in over his head but who has the potential to be forged into the moral center of the superheroing world. Not yet, though; for now he really is a kid, and it will be fun letting him do that for a little while.

Also: Michael Keaton hit it out of the park.

Also also: the title is kind of… like, yes there was a Homecoming Dance, and I suppose it featured heavily in the high school life of one Peter Parker and his various friends, but seriously, they named a movie after the fact that they finally negotiated the rights to bring Spider-Man back under the Marvel umbrella instead of where it has languished in Sonyland for decades. And that’s just silly insider baseball stuff. Come on, guys, give me a real title for the next one.

Also also also: Spider-Man is straight up my favorite superhero, so it’s possible I’m biased on the praise I have provided today. Do with this knowledge what you will.

[1] Marvel Cinematic Universe, ie all the stuff under the Marvel Studios brand, ie Iron Man, The Avengers, Agents of SHIELD, etc.

Wonder Woman (2017)

I finally saw Wonder Woman on Father’s Day. Which I suppose is a little weird[1]? But we hadn’t seen it yet, and my dad was down (even though he had seen it, which is its own kind of cool), so, like that. I cannot decide if it fulfills its hype. I mean, obviously it’s very good. It’s better, probably, than its current series of DC movies deserves for it to be.  That’s not what I’m saying at all.

But like, is it uniquely good? It’s on track to have the biggest box office of the summer[2]. And it’s the first superhero movie with a female lead. Those are both big deals, although obviously the latter is the bigger. Anyway, there are these immortal Amazon women, sworn to defend mankind from the depredations of the god of war. And once they learn of a new war outside their realm, Diana goes forth to fulfill that destiny. Or, I think more accurately, she goes forth to decide whether mankind deserves her intended defense. Also, there’s a lot of cool comic book action in which a person who will one day probably be called Wonder Woman kicks some serious ass.

Is that a thing we’ve never seen before? A hero, on her journey to greatness? In a way, obviously we have. Some heroes journey from a state of selfishness, others from a state of innocence, and still others are just born that way, but they all start somewhere and face a first challenge, whether of the physical, spiritual, or moral variety. Or, let’s be honest, usually more than one of these. In another way, that’s probably me being a bit broad of scope, or just finding a way to not give any more spoilers than I already have done. But my real point is one I already made.

It literally is a thing we’ve never seen before. Although there have been female superheroes, none of them have scored a cinematic lead before, and that’s a big deal. It doesn’t make the movie uniquely good, but it makes the movie unique; the good news is, it was in fact also really good! Because what we need is a theatrical landscape in which it doesn’t strike me as weird, even for the few seconds it took me to decide to go with that instinct instead of immediately quelling it as was my initial reaction to myself, that both my father and I would want to celebrate his day by seeing a movie about a lady superhero. I mean, that’s dumb, right? It’s a comic book action movie, what about this is even the slightest bit strange?

(I still think I’d rather not have had the thought and had to figure out a different way to come at this, all things considered.)

[1] Bear with me, I’ll get back to it.
[2] Final outcome subject to change, but that’s the trend I’m seeing right now.

Suicide Squad (2016)

Suicide Squad was a clusterfuck.

I should clarify, lest I be misunderstood. It was a magnificent clusterfuck, exactly as it was meant to be. See, there’s this military lady, and she is trying to gather power and prestige to herself (like you do), to which end she has this idea to recruit a bunch of imprisoned supervillains to form a last line of defense team in case of unexpected threats to America and maybe the world. Especially in these uncertain times.

Which, fine, whatever, that’s just a convoluted premise. The clusterfuck comes along when the unexpected threat does, because it turns out that being a supervillain means not subsuming your needs to the needs of the many. Instead, every single person has an angle, and okay, yes, they don’t want the world to end any more than you or I or (let’s say) a Batman or a Superman would. But that doesn’t mean they don’t want something for themselves out of the deal.

The thing that makes this not a grimdark movie is that the whole thing is played for comedy (nearly for slapstick) instead of evil chess (like I imagine No Country for Old Men to have been). It was definitely better than the last two movies, which is the kind of trend line I like to see

Batman v Superman: Dawn of Justice

If they had not made a Wonder Woman movie, I probably could have happily lived out my days not watching Batman v Superman: Dawn of Justice. I mean, the name alone makes me cringe, and the turning point at the end of the second act is the kind of thing you come up with smoking weed with your friends in the basement, and then say whoa at each other a lot. (To be fair, maybe it would have played better if I hadn’t been spoiled for it? This is a thing I doubt.)

Anyway, that is an extremely poor degree of preconception, and it is my pleasure to say that, going in with that opinion, the movie was not too bad. Like, yes it was unrelentingly grim, and yes the stuff I already said above, and also Lois and Clark are goddamn terrible at “secret identity”. But there were things to like, as well.

1) I’ve heard people hating on Jesse Eisenberg’s Lex, but I had no real complaints. I haven’t seen a gleefully sociopathic version of the character that I recall, and it definitely worked. Plus, his plans were legit.
2) This is the first time I’ve ever geographically understood the relationship between Metropolis and Gotham. I would literally never have thought of it that way, yet it is 100% the best explanation I’ve ever seen. Maybe it was always like this and I just never knew?
3) Wonder Woman is a bad-ass by any measure. I am looking forward to that movie more than before.
4) The spoiler at the end of the movie, although in keeping with Snyder’s dark vision, actually earned the destination this series of movies has been aiming for, and if I believed for a second it would become the new status quo, I would grudgingly respect the film in retrospect.

But that is not how things will be by the end of the summer, and I can resume being benignly annoyed by the whole prospect.