Remember that time where they took my very favorite book and made it into half of a movie? Somehow, that was two years ago. Good news: the name pf the sequel is in fact fine.
It Chapter Two does what was promised: we pick up the story a generation later, with the adult characters coming back to Derry to do what they promised, if there was a need. Pennywise is back, and he must be faced again in an apocalyptic showdown. But not before a lot of revisiting the past, both with additional flashbacks that sated my need for more scenes from that wholly non-idyllic summer of their youth and with the kind of revisiting the past that adults more traditionally do, gawking in disbelief at how the things that seemed so big and important now seem so small and far away. But with monsters.
I’ll never really be able to explain why the source material for these movies is so powerful to me. Because the above reads like it’s meant to be a joke, and not even a well-enough crafted joke to justify having made it, when the truth is I meant it sincerely. It’s like, King’s meditations on small town mid-century American childhood ring so true to me. And I know I’ll never actually know, because I was never there, two different ways, but it generates the kind of nostalgia in me that powers a political party. Except he tells the truth via his metaphor, because in fact everything was just as bad then as it is now. There’s a monster who comes back every so often to devour children.
But I digress. The last thing I’ll say is that although it took me an hour or so turning it over in my mind, I’ve decided that they stuck the landing. It has a very strange climax, which could not possibly translate to a screen. At least, I don’t think so. I know that everyone made fun of the television series ending, which held onto the literal half of the book’s climax and scrapped the metaphysical version entirely, even though it’s a 50/50 split. This movie, on the other hand, leans about 80/20 metaphysical/literal, which also I think loses something, but does play up the difficulty inherent to a climactic battle with a being that is only slightly literally real.
One thing you will not see the people of 2019 saying is, “Seriously? After all those transformations, Pennywise the Dancing Clown is just a big $spoiler? Seriously?!” When people said that in 1990, they at least had the virtue of a semi-valid complaint. Barely. So, it’s a good thing to avoid.
Anyway. I think the kids did a better job than the adults, mostly, although I cannot deny that the adults did an excellent job of selling that they were the same people 27 years later. I also need to give props to Bill Skarsgård, who has supplanted Tim Curry in my mind’s eye as who Pennywise is. That’s impressive.
Not a bad way to spend three hours, although next time I won’t do it at an 11pm show after a 12 hour day at work. (I hope.)