Mission: Impossible – Ghost Protocol

The bad thing about the new Mission: Impossible flick is that the plot felt occasionally rushed. I’m not talking about one of those things where reviewers say, despite being paid actual money by actual media organizations to have no other job besides sitting in a dark room with popcorn watching magical images appear in front of them and then talking about those images, that they were confused because the plot of the movie was too hard to follow.[1] There was definitely no point where I said, “Wait, what, they left something out!” I’m just saying that, now and again, you could tell that there was room for more backstory and it had been squeezed out. (I am thinking here specifically of Bogdan, who was really given nothing to do except have a goofy smile and be a plot catalyst; but that is not the only example of what I mean.)

The good thing about Ghost Protocol is you don’t have to care about any thin areas in the Pattern, because everything else was in fact really pretty cool. Was the mission actually impossible? Pretty much! Was the gadgetry really cool? Yes, yes it was, and on top of that it was involved in an unacknowledged-by-the-dialogue running joke that I will not spoil because it has plot implications. Did Tom Cruise smirk his way through the whole movie? I mean, obviously he did since that’s what he has done in every movie he’s ever been in[2], but it’s not like his smirk is off-putting, and it conveys a whole range of emotion beyond general punchability. Which when you think about it makes him an incredible actor. And the rest of the cast had generally good chemistry, and character development beyond ‘helps Tom Cruise do the Impossible’. So I’m saying, there’s very little not to like here. But none of these are the reason I’d recommend the movie.

Go see it in IMAX, because just about every action scene is put together in a way to showcase the immensity of that screen, and frankly very few IMAX films that come out have that particular sensibility. It was close to as good as a nature documentary, in those terms. And it had rather more explosions per capita than a nature documentary generally does, so you can see how this would be a win-win. IMAX or not, though, I wish more action movies were put together on this scale. Big is not a necessary thing by any means, and look no further than Die Hard before you consider disagreeing. But it should happen more than it does, is all I’m saying. Most of these kinds of movies are not designed to be small, but they’re filmed that way anyhow.

Okay, digression over. Review, too.

[1] Not that I’m bitter.
[2] Maybe not Eyes Wide Shut. Maybe.

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  1. Pingback: Mission: Impossible – Rogue Nation | Shards of Delirium

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