X-Men: Days of Future Past

rs_634x939-140324091106-634.jennifer-lawrence-x-men.ls.32414Hard to believe, yet true: over the past fourteen years, there have been seven X-Men movies, all in the same continuity, and all including Hugh Jackman’s Wolverine. 20th Century Fox is doing nearly as good of a job as Marvel Studios. That’s really pretty impressive, all in all. (I mean, okay, the actual movies have not been as consistently good, but it’s nearly impossible to credit how much better special effects have gotten in the not quite a generation between then and now.[1])

All of which brings me to the seventh such movie, Days of Future Past, which is named after what I understand will eventually be a really important storyline that I’m still probably more than a decade from reading. That said, I’m not so sure it’s very similar to that storyline? It is, however, extremely cool and handles time travel pretty well, both philosophically and structurally. I don’t want to say much about it, because of spoilers, but the title already gave away time travel and the end of The Wolverine already gave away the Sentinels; so I will only add that I thought the Sentinels were handled at least as well as the time travel was, and probably quite a bit better.

What was handled best of all, though, were the characters. The movie is, more than anything, a sequel to First Class, which was already heavily character driven. All of the dangling conflicts are brought to fruition in satisfying ways, and what more can you really ask? Well, that the characters also be fully realized, but I think they are. (Speaking of which, the scene with “Peter” in the Pentagon? Definitely the best characterization of him I have ever seen, and all without a word of dialogue. Bravo!)

[1] That makes it sound like I’m saying the special effects are the only flaws in early or for that matter middle X-Men movies. I’m not saying that, but having watched the first one a week or so ago, special effects are what stuck out to me as the second biggest flaw, just barely ahead of pacing[2] and way behind upscaled 480p, which it turns out is eye-hurtingly unwatchable in modernity. At least, it is if there are any special effects happening.
[2] Because, seriously, half that film was spent on Liberty Island! Climactic battles should not feel draggy. And don’t even get me started on treating Rogue as a major character in one half of the flick only to leave her as a damsel in distress for the other half. That she was rescued by a mixed team instead of a big strong man helps a bit, but not really enough.[3]
[3] Talk about being in the wrong review, right?

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