Thor: The Dark World

THURS_003B_G_ENG-GB_70x100.inddFirst things first, to get it out of the way. Yeah, I really liked this movie. There were disappointingly obvious problems with Newtonian physics, and there was, as far as I can recall, no more than one plot turn I didn’t see coming. Nevertheless? Loved it. I mean, to start with, I’ll watch an entire 120 minutes’ worth of Darcy reaction quips and consider it money well spent.

But aside from hammer gags, cool explosions, and Kat Dennings, there are solid reasons to like Thor: The Dark World. Probably the precipitating plot, in which Christopher Eccleston is more or less wasted behind too much makeup as an inexplicably albino Dark Elf who wants to return the universe to eternal darkness and who nearly kicked Odin’s father’s ass several thousand years ago during his first attempt, is not one of them? I’m not saying I dislike comic book plots, because I don’t, but it’s impossible to deny that this one is towards the fringier end of the form.

The broad, vague answer is that I liked the acting. It doesn’t hurt that I’ve been immersed in 1960s Thor comics for the past few months, but it was cool to watch Odin interacting with his two sons. Far more than that, though, this movie gave me something I didn’t realize I’d been missing in the annals of Marveldom[1]. I finally have a solid, bone-deep belief that Thor and Loki really are brothers. That’s going to help me later, when I’m still reading 1960s Thor comics and Loki is still a cartoonishly annoying villain instead of nuanced and clever.

Also, Natalie Portman was in it, I guess? In retrospect, I should probably have more to say about someone who got so much screen time.

[1] Except maybe the Loki book I read years ago now, before I’d barely gotten started on my in-depth project here? Who can remember what happened in 2007, though?

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