Lucifer: Crux

I have spotted my point of failure as a reader of the Lucifer series. All the way back in (judging by the covers[1]) the first volume of the series, there’s this performer named Jill Presto who is forcibly impregnated by a sentient deck of cards called the Basanos. And it’s an obviously important element of the plot of both the first and several of the later stories. And although in each case it’s obvious why she’s there and what’s going on, it is an inescapable fact that I cannot keep a sense of her and her doings as she relates to the arc of the story. I probably just haven’t tried, when you get right down to it? At least I know what I’ll be especially watching for when I do a someday reread. But it’s just sad to me that no matter how easily I can follow or at least unravel the rest of the plot and respectably examine the themes, there’s still this whole character that I have a blind spot for.

That said, the rest of Crux, the part that I was caught up with and able to follow along, I mean? Solid transition book in which I do, in fact, get to see more of Lilith, just as I had requested. I’m not sure yet if this was a mistake on my part. After the previous volume’s escalation toward Armageddon, every moment of Crux was set at that eponymous balance point before the plunge, getting the characters into position for the great conflict of our age. It was, y’know, successful at that, and even in plot-based transition Carey has a good eye for storytelling. Still, that next climactic book? I am hoping for big, unexpected things!

[1] Which you should never, ever do.

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