Tag Archives: graphic novel

Hack/Slash: Dead Celebrities

hackslash_vol10I must have picked the wrong order of books or something, no way I’ve read enough graphic novels lately to get two about Cassie Hack as close together as this. Oops I guess? Weird crossover successfully dealt with, Cassie is back to her old tricks. Which are still mostly episodically dealing with jungle goddesses and revenge-seeking parapalegics and incursions from other, more rapey dimensions. Luckily, this is exactly the kind of thing I want out of my Rebellious Teenage Girl and Her Giant Deformed Sidekick literature.

The main plot, as you may have partially gleaned from the title, revolves around a recent rash of murdered celebrities. Which is only so interesting, even when tangled up with Cassie’s own fascination with, and experience of being (albeit only in limited circles), celebrity. Except for the parody portion, which was fantastic. Even if the rest of the book had been horrid, I would have been satisfied because of Lady-Gaga-by-proxy Art Projekt, whose entire career is to support her master’s thesis in sociology. And since the rest of the book was, instead of horrid, lots of cheesecake-laden fights with rampaging murderers and/or murderous rampagers, yeah: still a fun series!

Ultimate X-Men: World War X

jpegIf the last several volumes of Ultimate X-Men had been bad, that would be one thing. I’ve seen them through bad stretches before, and if I do again, I’ll probably be able to work that out too. It happens. No, what’s so especially frustrating is that both the individual plots and the overarching one, finally brought to its climax in World War X, have been really quite good. Personal stories with high stakes, good interactions with the ongoing stories in the Ultimates, and the central mystery of why someone as powerful as Jean Grey has been so deftly used, or why she let herself be used, or why she’s turned so suddenly power hungry and maybe evil, plus also the mystery of which one of those it even is.

Except, and I say this with no opprobrium for the actual story of the battle between Jean Grey’s Tian and Kitty Pryde’s Utopia for the future (or the soul, if you’re feeling especially poetic) of mutantkind; that story was perfectly dandy and even pretty cool in places. Except: there’s no payoff. Not only do I still have no idea what made our Ms. Phoenix go off the deep end, there is really no hint that it was supposed to be hard to swallow.

Which renders the whole exercise not only frustrating, but at least a little bit retroactively pointless. Ugh. At least with Reed Richards, I know what happened. This is just bad characterization, going back basically all the way to right after the Ultimatum wave. Which means Jean Grey has been a plot-driven puppet for like four years. Ugh.

Which I guess I already said once before in that paragraph. But jeeze. Usually these are perfectly serviceable. Hell, I liked the whole stretch right up until the end, when I found out there wasn’t actually anything there, right? Okay. Done complaining.

Ultimate Spider-Man: Spider-Man No More

jpegWithout this Cataclysm event coming up, I could see myself being extremely excited about the direction in which Bendis is taking Miles Morales’ story. …okay, that’s not fair. I still am excited about it, I just hate to see it get put on hold for a big giant event that he should by rights be at the fringes of (I mean, unless the earth is destroyed? That would change my opinion drastically and unpredictably), or even worse, get partially canceled / re-written. Perhaps what I am saying is, I wish Bendis was at the helm of the whole universe, so I could trust that this particular aspect won’t get railroaded somewhere dumb.

Anyway.

Stan Lee originally wrote this story (well, title) for issue 50 of Peter Parker’s run, published in 1967. Pete was tired of being Spider-Man because his life was always one terrible event after another, and something something Aunt May’s heart, and long story short, Marvel could not go more than 1/3 of the pages in any given comic without the hero being in costume, so you knew something would change his mind by early in issue 51. (In this case: Kingpin.) Bendis’ take on Spider-Man No More! is interesting to me for quite a few reasons, but chiefly because of the vast gulf of difference between Then and Now.

Miles went through a fairly major life event at the end of the previous book, as a result of which[1] he’s put away the uniform and the web slingers to resume a normal high school life. And then, boom, a year passes. A year! Because Miles, unlike non-Ultimate Peter Parker, knows how to commit to a decision.[2] Of course, it’s still a comic and the past always catches up with you, but unlike Stan Lee (however much I appreciate all that he’s done), this was handled thoughtfully, with false starts and denials before the inevitable outcome, and I do not feel that Miles is on a whiny pogo stick. I definitely think, as I already said back in that top paragraph, that he and Spider-Woman are on an excellent path with a lot of potential, and I hope I get to see how that turns out.

[1] I bet you could see this coming.
[2] Also because really a lot of events have been happening around the rest of the world, between mutant rights and new American civil wars and so on, and it’s nice to see that, if Miles is not going to be involved in those events, the editorial staff came up with a good way to explain why not. Plus, it’s good getting him a little bit older. Also, for those taking notes, this indicates that somewhere in the range of 2.5 to 3 years have passed since all the mutants and superheroes started appearing on the scene back in 2000-2001 when all this Ultimate folderol began. (Contrast: regular Marvel time, as checked against Peter Parker’s schooling process, has spent maybe 6 years of time between 1961 and 1979. So the scales actually match up pretty well!)

The Walking Dead: All Out War Part One

Wd-cover-Vol20-dressedsmThe problem with reviewing All Out War isn’t the usual one where, oh no, the series has gone on for twenty volumes, how am I supposed to talk about what’s going on now without massive spoilers? Either I care less about spoilers than I should, or else something about these books doesn’t cause the typical problem. No, the problem with the review is the same thing that’s a strength of the book. It doesn’t really feel like a new book at all, more like just a new comic. That makes it sound like the storyline hasn’t progressed, and it definitely has. It’s just that the last few books, pretty much ever since Rick was asked to remove protectionist warlord Negan from the world, have felt a lot more like a single coherent storyline than the Walking Dead used to.

I reckon that the title reveals both a) that the plot is going as I’d anticipated and b) that they’re taking a little longer to get there than they could have. Which is fine. In a case of becoming more wishy-washy than ever, the strength of Negan’s character (which, yes, continues to compel) and the strength of the current plot are buying me enough goodwill to no longer hope it wraps up soon. Intellectually, I know that’s why Kirkman needs to wrap things up on this high note more than ever, but, screw it. If he doesn’t, I’ll cave and stick around for a while until the high points come back yet again.

The Unwritten: Leviathan

11142767The irony of staring at a blank screen, trying to figure out what to say about the current volume of The Unwritten, it has not escaped me. Here’s where I’m stuck. The story, in which Tom Taylor is exercising his new-found powers over the world and the literary realms[1], was definitely lively enough to keep me interested throughout. The problem is, having reached the end and nodding along wisely as he explicates his own conclusions on the topic and re-dedicates himself to the fight those powers are meant to help him with…

Well, the problem is, I don’t really yet have any idea what either he or his opposition want to accomplish. The stakes certainly seem world-spanningly high, and it may be my fault for having spaced these books out too broadly, but I have no idea what the prize is supposed to be, much less the win condition. It seems like I should, and it’s hard to look back and care very much while I don’t.

I’m kind of asking, in fact. Does anyone else read this series and know what the fight is actually for? I don’t want spoilers if I shouldn’t know yet (as of Leviathan), but a confirmation that someone else does know or an appropriate reminder if I should know myself, these would definitely not go amiss. It’s all the more frustrating because I appreciate what Carey is doing here, and I think he might have something profound on his hands, but right now it, whatever it is, is as adrift as I am.

[1] Perhaps someday we’ll find out if he has powers over the world as well because he himself is a character in a literary realm. That might be far too meta and self-aware of the story, but I haven’t made up my mind yet. Probably I won’t until it happens, and if it never happens, I’ll be stuck always wondering if that’s what I was supposed to believe.

Ultimates: Disassembled

I’m very nearly caught up on Ultimate Marvel comics again, after my year-long hiatus to read about a shepherd with a sword. Which is really good timing, because The Ultimates: Disassembled makes a good go at tying up every loose end that has dangled since the Ultimatum[1], not to mention a few from the Gah Lak Tus incursion. Plus, the Fantastic Four are finally reunited?!

Unfortunately, it cleans up those loose ends in such a way that I’m still not sure if what’s been going on with Quicksilver for the past three years or so has all been this, or different authors pulling him in different directions. (See, I was going to say, “If you want to know what’s been up with Quicksilver, here you go!” Only, I’m still not completely positive I do know.) If you want to see another convoluted time travel story involving Kang the Conqueror? Cool, here it is! If you care about the Infinity Gauntlet[2], this is where you’d find the Ultimate version!

What is fortunate is that this felt like a story instead of the series of tickboxes I complained about for the last Ultimates outing. An exciting story, with more than a dollop of consequences, and a big albeit possibly premature glimpse at the upcoming, what are they calling it this time, Cataclysm I think? I’ll definitely take that. But I am kind of sad at implications that my excellent character analysis of Ultimate Reed Richards (available upon request in comments, if I haven’t already told you it in some other written or aural format) may have just been undone. Thanks a lot, Kang.

[1] If there’s one thing that does make me happy about there being a new massive crossover event that will kill off half the populace or more all over again, it’s that I can at least start referring back to a new dividing line between “then” and “now”.
[2] Plausibly, I will someday care about this.

Hack/Slash/Eva: Monster’s Ball

HACK_SLASH_EVA_MONSTERS_BALL_TRADE_PAPERBACKMonster’s Ball was refreshing in that it was an episodic slasher hunt without any accumulated baggage, exactly the kind of thing I’ve been asking for. It was problematic in that… well, see that “Eva” up there? Apparently this was a crossover between Cassie’s comic and Eva’s, who is a brunette hunter of monsters in tight, occasionally accidentally-revealing clothing accompanied by a hulking, inhuman, green-skinned monster[1]. I’m not precisely sure who is ripping off whom here, but clearly the creators must not mind so much, or else I doubt there would have been a crossover in the first place?

Also, it was less of a crossover and more of a boost for the Eva character, as far as I can tell. That is, it’s much harder to find any information about this person, despite the authorial duties coming from that direction, and also Cassie and Vlad were entirely guest stars in Eva’s enemy’s evil plot. Sure, some of Cassie’s old enemies made an appearance, but you could skip this and never know you’d missed anything, whereas even without knowing anything about Eva that I didn’t glean in this book, it’s obvious that her life altered significantly between the first and last pages of the story. So, cool I guess?

Even if other Eva collections existed (and they appear not to), I wouldn’t be seeking them out after this taste. Which probably tells you what you need to know.

[1] I mean, not the Hulk.

Ultimate X-Men: Natural Resources

61Djh0nXhuL._SY344_BO1,204,203,200_If there’s one thing you can take for granted in any Marvel universe, it’s that while the mutants may have good days, they never, ever have good years. With this knowledge in hand, it was easy to predict how Natural Resources was going to go. Well, that and the knowledge that Kitty Pryde’s deal with POTUS has recently become her deal with the previous POTUS. And that’s before you take into account her array of other oppositions, foreign and domestic.

As spoilery as that whole paragraph feels, it’s all based on what has gone before. I have sincerely said almost nothing about the actual book in question. On the one hand, it’s really cool to see all kinds of plots coming together. Perhaps by the time I get through the next few books (one already published, two more out within the month), there will be almost no dangling threads at all, and I won’t feel like I’m wandering around lost and/or forgetful?

Ha ha, turns out that’s not speculation. The fourth future book is yet another comics-shattering event, after which I can expect another rebranding[1] and another contraction of what is being published. Well, sort of a contraction. It’s three titles, but since there are only three titles now (not counting one-shots), this may not count as anything especially impressive? Perhaps the goal is to have fewer one-shots. Due to there being that upcoming comics-shattering event, I will not reveal which titles are expected, since probably everyone not in them will be dead soon? (I have no proof, but Ultimatum is persuasive evidence as to how these things go.)

[1] Ultimate Comics NOW! The exclamation mark was not added by me, to be clear. Nor were the caps.

Powers: Psychotic

At the end of the latest Powers collection, in time to commemorate the 50th issue of the comic that rounds out the book, there is an extensive interview with author Bendis and artist Mike Avon Oeming. It is sometimes funny, often insightful, and constantly vulgar in exactly the way you’d expect from a series that has prominently featured a monkey’s vagina, and I recommend it to anyone who is reading the series or is interested in the nuts and bolts of the modern (ie, the past decade or so) comics industry. But it also makes the point that Powers is a series which constantly re-invents itself. If I have not made this point myself over the previous eight reviews, I certainly should have.

Psychotic does not precisely mark a re-invention (as the plot is still firmly centered around the consequences of outlawing the use of superpowers), but it certainly picks up a new theme: cops who commit crimes, cops who shield those cops, and cops who work to prove the wrongs that were done by those cops. And of course it does this in ways you would not expect, because Bendis is good at what he does.

Mostly though, the book is a placeholder while we all wait for Deena Pilgrim’s evolving circumstances to settle into a dramatic revelation of some kind. I’m not saying I’ve been waiting forever to see how this turns out or anything, though it has been kind of a while. But the sudden steep jump in the stakes? Definitely dropped my patience level.

Also, I said something about contrasting Powers and The Boys, as their worlds are somewhat similar in scope? Well, maybe I only thought it. Either way, it’s impressive that the two books I’ve just read do share an overlapping type of event, and it’s even more impressive how, even though the one in Powers was objectively the worse on an ethical scale, it also resulted in my feeling no resentment for the character involved.

The Boys: The Innocents

boys_vol_07I find that the triumph I should have felt at the second half of Ennis’ The Boys beginning with the plot turn I had been awaiting since pretty much the first book has turned to ashes in my mouth, since it simultaneously removed my empathy for usually likable lead Hughie, who was of course twice as likable for being based on Simon Pegg.

Since reviews should last longer than one sentence if you are not Mighty God King, I will add that despite my belief that any redemption from Hughie’s horrible actions will feel contrived or else insufficient, I’m going to continue with the series for a few reasons. There are still a handful of characters who I do not despise, and a handful more who I am interested in learning more about. Also, there’s something big brewing in the superhero sphere, and the plotting has been good enough so far that I could probably choke past my dislike of humanity’s erstwhile saviors to find out how the actual savioring works out.

Then again, I need to shop for and buy the remaining volumes, since my free supply has run out as of this one, so who knows what I’ll actually manage? Because, ashes, I tell you. Ashes.