Tag Archives: superheroes

Ant-Man

MV5BMTc3NzgxNTM0N15BMl5BanBnXkFtZTgwNTMwMDI5MzE@._V1__SX1859_SY847_Saturday was a day of two movies. Hooray! The second one was, finally, Ant-Man. To get it out of the way: it was a) definitely relevant to the overall story progression of the Marvel Cinematic Universe and b) good enough in its own right. Also, to get the other thing out of the way, it’s about a guy who can shrink to the size of about a flea or a bit smaller, and also he can talk to ants, and he uses these powers to be highly stealthy, mobile, and also to be unexpectedly strong[1], and then he has to deal with a supervillain tailor-made for said powers. Like you do.

There. Now to the meat of it. See, in comics, there are two people who have been Ant-Man. (Well, that I know of.) The first of them, Hank Pym, is one of Marvel’s first characters. The second, Scott Lang, I have not actually gotten to yet. The movie is about, well, technically both of them, but the point here is that it’s mostly about the one I don’t know. Which means, virtually no preconceptions! Paul Rudd was damaged and charming, and the character was entirely likeable. The plot was heisty and heroic and if it was often predictable, it made up for it by never being boring.

My complaints about Hank Pym are spoilers, but the fact that I have complaints can be put down to the fact that he’s a known jerk of a character. (Unlike Reed Richards of the Fantastic Four, who is objectively as much of a jerk on paper, but people always seem to like him anyway. This has nothing to do with anything, I’m just complaining about it.)

Anyway, pretty good movie. Worth seeing, especially if you’ve been watching the other ones. Spoiler thing about Hank Pym in the comments.

[1] Something something physics: space between atoms is reduced, increasing density and therefore retaining the same strength in a much smaller package; you know, comic book science.

Miles Morales: The Ultimate Spider-Man – Revelations

41464JNINZLRevelations is an excellent Ultimate Spider-Man book that fulfills the promise of its title by answering every meaningful question raised in the previous book and then some. It answers both the questions I had already asked and the ones I didn’t think to, and it answers them in satisfactory ways. Just as I would always expect Bendis to provide, crisis of faith aside.

And then, just when it is setting up a whole series of new questions, Marvel as a whole took a sharp turn to the left and is collapsing their multiverse in upon itself, with the plan being basically only one Ultimate book left after this one? At least, I think so. It’s going to be hard to know what to purchase to wrap things up, for certain. So, the flaw of this book is that it ended in a deus ex rushica instead of setting up the latest big deal in the Ultimate universe. This is not the book’s fault, but it sure is jarring.

So, um… I guess the majority of my comics reading will be happening issue by issue in the late 1970s now? Sorry about that.

Powers: Secret Identity

71c4PfYYnGLA thing you may or may not know is that there is a TV show based on the Powers series of comics. It is available to Playstation Network users, which gives you an idea of just how variegated (or perhaps I should say splintered) the streaming landscape looks these days. But hey, people are making enough money to get more and more niche-interest programming created, and that’s fine by me. I’ve only watched one episode so far? But that’s what summer is for.

Anyway, that has almost nothing whatever to do with Secret Identity, which is so far ahead of where they could have gotten in one season that I may as well assume it will never actually be filmed. (Also unlikely to ever be filmed: the literal monkey vagina from a few books ago.) This? This is the book where things get weird. And I say that in full knowledge of my parenthetical above. It starts with yet another superhero team imploding, and ends with Christian Walker’s and Deena Pilgrim’s deep dark secrets all but exposed, just in time for a cliffhanger about how they will deal with the fallout.

That’s not the weird part. Here‘s the weird part.

Along the way, Walker maybe learns something important about his shadow-shrouded past and confronts[1] the multi-pronged cock of Satan. You know, like you do sometimes.

[1] I swear I am not making it up, and I think it’s possible nobody has ever said this phrase on the internet before.

Avengers: Age of Ultron

MV5BMjMxMTIyNzQxMV5BMl5BanBnXkFtZTgwMDQ1ODk1NDE@._V1__SX1859_SY893_Last Friday, I made a joke about putting up the wrong review, secure in the knowledge that the correct review, about the blockbuster sequel that was kicking off the summer season, would be following that first review by only an hour or two. So, that was six days ago.

Yep. I really am that busy, apparently.

Anyway, though, Avengers. Did you see it yet? No? I guess that’s not numerically surprising, it has not made the bank it was expecting. And there have been all kinds of complaints, from anti-feminist to muddled and confusing to unnecessary antagonists. Some of that is fair, and some of it is not. I come neither to defend Caesar nor to bury him, just to say that, you know, I still liked it?

Obviously I’m a total Marvel fanboy. But I don’t think that’s it. It got me in the door, sure, but the things that I liked were along the lines of, “It’s really awesome that Whedon managed to provide a character arc for every person onscreen, even though there were like ten of them.” I completely get why someone would turn that around and complain about how overstuffed the thing is, it just wasn’t my experience. Or, “I appreciate how Ultron’s[1] motivations are thumbnailed so quickly, so we can get on to the plot and character development that succeeds his existence.” Which was turned into a question by a person that I wouldn’t have expected to hear it from, about why nobody bothered to explain why Ultron is trying to <spoiler elided>.

And more things like that. Basically, it’s possible that even though I’m actively looking for details about these characters, my decade long immersion in the characters they’re based upon is giving me an unfair advantage over the uninitiated viewing audience. So, I cannot say if this movie is for you. (Well, I can, for three or four specific values of “you”, but mostly I cannot.) I can say that the director’s cut is probably a visibly better movie than this was, and that this movie, despite a couple of missteps, was still a really excellent chapter in what is probably the most ambitious long-form piece of storytelling Hollywood has ever attempted.

There are worse epitaphs.

[1] He’s the guy whose Age it is, right? Age of Ultron? Right? Also, while I’m here: Spader nailed that character. I’m not surprised, but I am pleased.

All-New Ultimates: No Gods, No Masters

51MeEMpGe1LBack when I ordered this book, and every time between then and when it arrived and I started reading it earlier this week, I thought the title was a reference to one of the first Ultimates books, Gods and Monsters, from nearly ten years ago now. But as of cracking the cover open, I have realized that the title of the book is actually No Gods, No Masters, which is a completely different title. Apparently it’s a reference to a political book about anarchism? I don’t see a particular parallel here, but maybe I would if I’d read the other book.

So, you know the street level gang war the teenaged Ultimates were fighting / trying to clean up last time? This is the conclusion to that storyline. Which means, yes more irrelevant third-or-lower tier “super” villains, yes more Roxxon intrigue. Also, some of the art was all scribbly and lame, but only some of it. Still, though, the character evolutions among some of our heroes has made the pair of books retroactively worth the price of admission after all.

Well, actually, that may not be true. Spoiler alert based on news reporting of happenings at Marvel. But, the thing is, most of these characters and in fact the Ultimate universe in general may be coming to an end when it collides somehow or other with the regular continuity. Can’t blame the current authors who have been pushing things forward that everything since Galactus has been basically a meaningless placeholder. But it’s damn disappointing nonetheless.

Miles Morales: The Ultimate Spider-Man – Revival

51sHdZFm72LAs of Revival, I’m current on the Ultimate universe again, at least as it is released in collected formats rather than monthly. I hate to go all mysterious, but I also hate spoilers, so my review will consist of a short, open letter to Ralph Macchio or Stan Lee or whoever is in charge these days, and if you choose to read very much between the lines at all, you’ll be able to tell what I’m talking about and have your review, and if not, you’ll avoid your spoilers. In any case, I hasten to assure you that Bendis is still writing this series, and he’s still doing a great job, and I’m still eager to know what happens next. (Seriously, seriously eager.)

Dear Stan Lee or Ralph Macchio or whoever is in charge of Marvel story development these days,

You guys. Seriously. I cannot really take this anymore. I was unhappy when I learned the news in the first place, skeptical for a good long time thereafter, and only fairly recently have I come to terms with what you did. It was a big, bold, ballsy move, and it has paid off in more ways than I would have guessed back when I first knew it was coming.

I can imagine myself coming to terms with this too, not least because it gives me back what I want. But it’s not fair to the new guy that has been developing so nicely, and it’s also maybe not fair to the creation you’ve all been developing for the past 15 years now. I’m just saying, be careful.

No, that’s not true. That’s the least part of what I’m saying. What I’m really saying is this: pick a side. Stop fucking with me. I want clear answers, and I want to feel reassured that they’re really the real answers, and I know goddamn well that’s a ridiculous thing to expect from the comics industry, particularly around this kind of story development. Nevertheless, I can’t really take it anymore, and there we are.

You should know, though, that (like I told my so-called audience a few paragraphs up before the letter started) I did like the book, and I do desperately want to know how things turn out. Just because I’m roller-coastered out doesn’t mean I don’t want more. Also, holy shit with how cool J. Jonah Jameson was. It’s been a while since my jaw dropped reading one of your books. (And almost always because of Bendis. Hold onto that kid, okay?)

Sincerely,
The guy that runs this blog

All-New Ultimates: Power for Power

51Cmme49xoLI have mixed emotions about the All-New Ultimates. For one thing, well, there just aren’t a ton of familiar characters left alive in the Ultimate universe, and most of the ones that are left moved on to the Future Foundation. It’s not that I don’t want to see Spidey and his Amazing Friends battle street crime, it’s that it seems silly to shoehorn them into the Ultimates, just so that team is still “alive”. Same plot, different title? I’d… well, I’d still have some complaints.

Because, all of that said: I’m not sure I saw the point of Spidey and his Amazing Friends the Ultimates taking on street level crime in the first place. I mean, okay, the gangs seem to have powers, at least a little? And there are leftover renegade scientists from the Oscorp and Roxxon days finding new ways to screw people up. So on paper (heh), it’s a reasonable conflict. But: the Serpent Squad? Really? Which is me complaining about how the villain side of the equation is just as depleted as the hero side. That’s a structural complaint, but I also have a related plot complaint, which is that it seems like I should have heard of any of these gangs before, if they’re supposed to be a big deal now.

But then, all of that is balanced by the team’s make-up. Spider Woman, newly christened as Black Widow, is the leader. Then there’s Spider-Man, Bombshell, Kitty Pryde, and Cloak and Dagger. You’ve heard of maybe half of those, which is why my point is not coming across, which is that the Ultimates is comprised of four ladies and two dudes, neither of whom are white. Get these people some actual villains and storylines, and I could find myself very excited by what Marvel is doing right now.

Also, just give Jessica Drew (that is, new Black Widow) her own title, already.

Ultimate FF: Strangest Ever

81hWGc63i3LThe newest wave of Ultimate books is finally here! Which is to say, they dropped within a week or so of the site coming back up, and despite there being three of them already, that’s just a timing issue and I’m not nearly as far behind as it sounds. Unlike if you were to be talking about Brust or Rothfuss or King or Butcher, to name a few twitches I’ve had lately.

Strangest Ever is certainly a book that lives up to its title. It’s not the Fantastic Four like you’d think (unless you’ve been following these plotlines, in which case you’d think that’s entirely ridiculous). Instead, it’s the Future Foundation, which is basically Tony Stark’s and Sue Storm’s brainchild to defend the planet against extra-dimensional incursions of the type that came so close to wiping out all life, a book or so ago. And that’s a good idea, as far as it goes. It’s just that it seemed to turn into an excuse to trot out every bizarre event that has ever happened in the Marvel multiverse. It turns out I have limits?

But that’s a matter of taste, which I accept. It’s not objective truth, like the fact that nobody wants to see a purple Iron Man. And it’s not something that clearly should be objective truth, like that nobody wants to see dead people come back. The whole Ultimate thing up until now has been so good about that, and okay, they had a really good excuse this time. They earn credit with me for not having used, much less overused, this excuse. But the reason why they have that credit is that they don’t do it. The whole thing makes me skeptical, is all I’m saying.

Anyway, my point is this: I look forward to seeing someone take the reins on the new era soon, and I especially thank my stars that Bendis has stuck around. Someone give him the reins, yo.

Guardians of the Galaxy

MV5BMjA3ODU4MDUyMl5BMl5BanBnXkFtZTgwNTE2OTkzMTE@._V1__SX1859_SY893_The crazy thing about how far behind my reviews have fallen isn’t that the backlog is huge, but that it’s so very, very small. There’s the movie I saw before this, which I have finally accepted won’t be served by a useless review and which will therefore have to wait until dollar theaters pick it up so I can purge expiate my sins, there’s this one, and there’s one book I finished almost at the same time. Nothing else.

I haven’t exactly been avoiding the theater? I have most definitely been avoiding books though. Which is to say, boy howdy have I read a ton of comics over the past month. None of that has anything to do with anything, except oh wait, it totally does, since I just remembered that the movie I am reviewing is Guardians of the Galaxy. If you were to guess I had seen that comic in the mid ’70s, the answer would be, sort of? I did, but just the premiere issue so far, and it has nothing whatsoever to do with the characters that populate this movie. I did read a handful of issues of Adam Warlock which introduce Gamora, making her, so far as I can tell, the oldest of these characters in Marveldom. This is not only pretty cool, but it definitely puts a pleasantly ironic spin on a situation I read about a few weeks ago where someone was selling kidshirts of the characters and left her off because she wouldn’t appeal to boys enough. That’s already dumb on the face of it, obviously, but man oh man is it five times as dumb with the added knowledge about their collective history in comics.

None of which has anything to do with how good the movie is, I know, but… it’s been out more than a month. I kind of missed the boat on that one already, y’know? But let’s pretend I haven’t, and someone who can see this hasn’t actually seen the movie yet. It’s like this. A misfit kid with the soundtrack of the ’70s and ’80s as his sole possession in life winds up in space because that’s how comics work sometimes, only now he’s a cool thief[1]. Then he gets caught up in a galactic civil war[2] between the Kree and some other people who are not the Skrulls and who I would probably know more about if I had read comics from the ’80s, meets up with the daughter of the baddest dude in the galaxy[3], not to mention a psychotic raccoon, his pet tree who has a lot to say but only the raccoon can translate, and an angry tattooed giant out for revenge because the second baddest dude in the galaxy killed his entire family one time.[4] Then, they… well, the point is, literally any damn thing could happen, and if you aren’t desperate to know what, we are entirely different people, you and I.

[1] Not the Danny Ocean kind of thief, the Indiana Jones kind, if Indy had ever acknowledged that he’s totally a thief but for museums, which by the way is 100% what he is. I mean, it’s not his fault, it is colonialism’s fault, but think about it.
[2] It’s more complicated than that, but at some point I’m just writing a spoiler-filled summary of the movie instead of a review; plus also, if I break it down, the movie sounds less like Star Wars.
[3] Who we last saw financing the destruction of the earth for unknown reasons.
[4] “For you, the day Bison graced your village with his presence was the single most important moment of your life. For me, it was a Tuesday.” Oh Raul Julia, we miss you still.

Powers: Cosmic

71DwWGj1SOLHonestly? I kinda got nothing here. This Powers collection has retroactively justified my recent acceptance of Captain Marvel into my personal Marvel comics canon, since it is about the death of Earth’s Cosmic guardian and what that means for the planet’s future. (Because, you see, that’s what Kree-born warrior Mar-Vell’s story has eventually metamorphosed into.) But otherwise, it is by and large standard Powers fare, with murders to solve[1], heroism to be performed, and major plot-points to be incrementally moved forward.

If I could talk about said plot-points without big spoilers for previous parts of the series, maybe I’d have more to say. Because there’s definitely a building theme over the course of the series, one that I could not have predicted before being an unregistered superhero got outlawed and which now seems unavoidable in retrospect. But, yeah, major character and story arc spoilers lie in that direction. Next book, when things come to what I assume is an inevitable head, I’ll just have to duck behind the spoiler cut and talk about it anyway, but since both character arcs were in set-up mode this time, I can safely wait one more time.

Meanwhile, a structural discussion. Every issue in this collection started with a coffee-house-looking open mic night, with a different random character from somewhere in The City(tm) doing a different not-quite-comedic stand-up routine. It’s not that they were bad, by and large. It’s that they felt like they were supposed to be making some kind of thematic resonance, either within the current plot or maybe even issue by issue. And, I flat out did not get it. I have no point here, I just wonder if that’s on me or on Bendis.

[1] Notably, the one I already alluded to.