The Dark Knight

mv5bmzyxmze1nzy4nl5bml5banbnxkftztcwmtcxoti2mq-_v1_ It is, I retroactively declare, a good weekend I think for seeing a new movie premiere. After spending a couple of hours around a pizza and an airing of Batman Begins, we rushed off to the theater for a Friday night showing. I’ve spent some time thinking about what I could possibly say about The Dark Knight in the subsequent 48 hours, and I honestly don’t have much better of an idea right now than I did walking out of the theater.

First of all, there’s the story route, but I refuse to do more than thumbnail it, because there are massive spoilers both for fantastic individual scenes and for the highly detailed and brilliantly executed plot. Anyway, a little time has passed and Batman hovers in a precarious middle ground between hated vigilante and police-sponsored hero. Gotham is gradually coming out of its dark age, and district attorney Harvey Dent’s hardline stance against the crumbling mob families is the best evidence of this fact. But there’s a bank-robbing clown who calls himself the Joker who has other ideas on that topic; and he has a plan.

All of which is stage-setting that’s clear within the first 15 minutes or so. If anyone wants to tell you more than that, don’t let them. Although Batman Begins was a lot more of a traditionally mythological hero’s journey, it had nowhere near the psychological depth of The Dark Knight. Christian Bale understands Bruce Wayne in a way that nobody but Michael Keaton has ever come close to, and Heath Ledger’s death was nothing short of a fucking tragedy for movie-goers everywhere, even if his portrayal of the Joker would have been the pinnacle of his talent. I would not have ever guessed I’d say someone surpassed Nicholson, but the writing was probably as much to blame as the acting. They really were two different characters, and the current one the darker and more insane by far.

My point being, with two such powerful leads, an equally strong supporting cast, and additional psychological elements from legal crusader Dent and returning ADA Rachel, Bruce’s love interest and Dent’s current girlfriend… with all of that going for it, there is a lot of room to play in and with a lot of interesting characters’ psyches. And this occurs in spades, to the point where it might be fair to describe the ride as an emotional wringer. But it is also the best movie I’ve seen all year, easily.[1] Juno and Iron Man come close, each in their own ways, but this hit all my buttons just right.

In summary: wow. Now go see it. (Yes, again. I know I would have tonight, if I hadn’t been at work instead.)

[1] Well. Zombie Strippers. But otherwise.

Y: The Last Man – Motherland

If memory serves, the most recent volume of Y: The Last Man ended on a bit of a cliffhanger, in which… well, okay, I guess I can assume you may not have read Kimono Dragons and therefore not spoil you. But you really, really should. (I mean, and the others ones first, right?) This is noteworthy because of how Motherland starts out offset by about an hour earlier in time, or possibly with a little bit of a ret-con. I spent the first dozen pages wondering if I had misremembered things entirely, but they eventually got back on track.

And then… answers. Answers about the ninja.[1] Answers about humanity’s future. Possibly answers about the ultimate cause behind the now four year old mass male die-off , though I’m not sure whether I trust them, nor whether I like them if they’re true. But don’t worry, because all those answers are revealed with the series’ standard mix of action, drama, and panache. This is by no means an infodump devoid of any plot or character development. Plus, there are a couple more framing stories about how characters in the series’ past are getting along now.[2]

You really can tell that the series is drawing to a close, because at least one storyline has ended here. (Two, if the answers behind the extinction were factual.) The only thing left now is for Yorick to resolve his long-running emotional turmoil for a girl who, notably, he has never been on the same continent with since the series began. Well, okay, and there are a few other odds and ends as well, but the thing with Beth is the heart of the primary dangling plot, and anyway, the other stuff probably all falls under the spoilers heading again. In any event, I’ll be reading it quite soon, so that’s good news.

[1] Have I mentioned how much I love that there’s a ninja?
[2] Well, they were both at the end, but since their release order would put the very final issue at the beginning of the book, I’m calling them framing stories regardless. I’m torn, because putting that story first would have worked a lot better literarily: both because of the framing thing and because the last couple pages of the previous issue / closing frame would work so well as the end of the book, if they’d been there. But on the other hand, there’s a spoiler in the “opening” framing story (due to it being out of the chronological sequence they ultimately decided upon instead) that would have removed some tension from the primary arc of the book.

Ultimate X-Men: World Tour

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In World Tour, Professor Charles Xavier takes his X-Men on the lecture circuit, while Mark Millar reminds me that I find this to be the least good series I’m reading right now. Basically, human-mutant relations are on an upsurge since the defeat and death of Magneto at the hands of the X-Men, so now seems like the time to capitalize on that by showing off that mutants can be pretty good people too. Only, dark secrets from Professor X’s past and present conspire to not only ruin all of his grand plans but also to tear the X-Men apart. If that sounds pretty cool in summation, it suffers in execution, most notably because every character in the Xavier-centric storyline is annoying, and Professor X the most annoying of all.

Also, there’s a two-parter at the end of the book about mutant Wildcard (I think), who throws playing cards around and makes them explode. I suspect that if I was all into him from having gotten to where he is in the original series, this would have been a big, revelatory introduction. As it is, it was still the best part of the book, easily. Which is probably not a very good sign, but it could be that I’m wrong and it was just strongly written.

The Order of the Stick: On the Origin of PCs

Déjà Dead

Something like a year ago, I was consistently trolling the mystery section of my various Half-Price Books in search of the Dexter books, because of how that show is so very, very good. And it occurred to me, hey, why not look for the Bones books, too? Bones, see, is this show on Fox starring TV’s Angel as well as a forensic anthropologist, and together they fight crime in Washington D.C.! Except, despite how ironically I’m painting the picture, it really is awesome, and mostly because of the character of Temperance Brennan and her inability to put up with people being all needlessly human. Plus, the show is really funny, and rarely gets bogged down in CSI-style self-congratulatory evidence analysis. Plus plus, anthropology is one of my secret interests. Anyway, said show was based on this series of books, right? And that’s what I was looking for, and I found some, and now you know!

What you don’t know is that I managed to pry myself away from Harry Dresden long enough to fulfill my long-standing rule against consecutive books and read Déjà Dead this week. In thumbnail, Dr. Brennan uses her skill at analyzing bones as well as some natural investigative talent to catch a serial killer, much as you’d expect as a fan of the show. (Which surely you are.) But in the details… well, there’s Brennan, who is at least pretty close to the one on TV, but she lives in Montreal and mostly hangs out with French police who are not in any way reminiscent of vampires. Plus, the research team part is entirely missing. Plus, lots and lots of French. So that took some period of adjustment, but after a few dozen pages I started pretending that these books are being written by TV’s Bones (as she is canonically known to do), and then it became a lot easier to adjust to, even down to maybe trying to pick out some of the character-analogs from the show (as they are canonically known to do; try to find themselves as characters in Bones’ books, I mean.)

Upshot: extremely well-written thriller without too much technobabble, no danger of anyone starting up a vampire-werewolf love triangle (this is a bigger problem with modern fiction than you might expect), and more than one engaging character. I was starting to get annoyed by the way that she’d keep going off by herself into danger for no obviously good reason, but even that was handled fairly plausibly, and I think it will be less of a concern in future books.

WALL-E

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So there I am, sitting at the bar, nursing the water between my third and fourth beers, occasionally snaking a fry from Ryan, sure because they taste good but mostly for the thrill of the hunt, when suddenly the girl next to me says, “Hey, babe. Is this guy boring you? Why not come with me, I’m going to see a movie about robots who could conceivably go to another planet!” Which is why I never had my fourth beer.

But that’s okay, because I got to see an impressive movie instead, in which a tiny robot has decided to clean up this town. And, okay, this town is Earth, and he was probably programmed rather than deciding. But he sounded like R2-D2 (by virtue of being voiced by the same sound editor), so that earns him a lot of credit. WALL-E is the last of his product line still running, so he has the planet to himself. And over the course of probably hundreds of years, he’s picked up personality from unlikely sources. I have to say, as last beings on the planet go, he probably gave Will Smith a run for his money, melancholy pathos and all.[1]

So, after a period in which we get to absorb the tragedy of the ruined planet and its last inhabitant or two, everything changes with the arrival of a bitchy feminine robot on a mission designed by some humans that are still wandering the galaxy. And, you guessed it, WALL-E’s life will never be the same again. A lot of people claim that Pixar makes movies that are equally enjoyable by kids and adults. I’ve skipped a lot of them recently; I think the last one I saw was The Incredibles, and I was quick to acknowledge I was watching a kid movie, contrary to that same claim I’m saying people sometimes make. I point this out as a preface.

Because, I’m not going to claim that with WALL-E, Pixar finally made a movie that can be enjoyed by adults and kids alike. It’s more like… honestly, I felt like Pixar made an adult movie and then added a bunch of kid-laughs after they remembered they were Pixar and are only allowed to make kid movies. So now the kids are able to sit in the theater and not be bored by what their parents are watching. Which is a trend that I hope continues, because damn, but the effects are consistently spectacular, and it’s nice not to be even a little bored between them. Yes, it was a child-like, innocent movie. But if it was specifically kid-oriented, then I’d think the other Pixar movies would have sucked me in better than they did.

P.S. If you happen to watch it, there’s a thing that bothered me a little bit. I get why a Disney movie isn’t going to delve into the mechanics of reproduction, but did it seem to anyone else that the humans should have become extinct a generation or two prior to the events depicted, or at the very least should have been on their way in this generation?

[1] I should pause here to point out the possibility that my identification with our robotic main character here may have colored my favorable impression of the movie. But I’m pretty sure that’s it’s also as good as I think it was.

The Happening (2008)

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Yesterday, I said to myself, hey, let’s go see a movie! And then I looked up times, but the dollar movie I want to see (even though I found a second dollar theater, and right across the highway, not far away like that other one (where “far” in this case equals about 1/3 of my daily commute. Help.)) was only showing in the evening, and I already had evening plans. So then I poked around at what was out in general, and settled on The Happening. And then I saw it, which just goes to show you the value of a plan.

The movie itself was an odd mix of satisfying and cheeseball. I went in knowing nothing beyond what I’d seen in a couple of previews, which as it happens is sufficiently little to make the thing work; I have to assume that without the mysteriousness pulling you in, the satisfaction would have been nowhere to be found. The premise is straightforward: one day in Central Park, people start acting mentally and physically confused, and then they start dying. And those scenes which open the movie? Creepy as all get out, I tell you. Next thing, a teacher and his wife and some friends are headed out of town because of their concern over the TV-reported terrorist attacks that have just occurred, and the film turns into about one-third mysterious deadly event and two-thirds marital drama. Or maybe fifty-fifty? I was never annoyed that the scary mystery part had vanished, and the drama part was pretty decently done.

Unfortunately, this was billed as M. Night Shyamalan’s first R-rated movie. I call this unfortunate because, aside from a ridiculous chase scene about which I cannot divulge more that would otherwise assist me in mocking its ridiculousness, the biggest problem the flick had was its focus on gore. It just wasn’t the right kind of movie, in mood, to be concerned with over-the-top death scenes; and there were a few. It’s like M. was just trying too hard, to no good effect. Well, the acting was a little iffy, too, which is odd, because I’ve seen both leads do far better jobs elsewhere. All in all, though, it was a decent, scary movie. It was not the best movie I saw yesterday, which is kind of funny when you consider I had only planned to see the one. But anyway, just don’t go in expecting Shyamalan’s previous brilliance, and you should be fine.

The Walking Dead: Made to Suffer

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If you’re wondering why I’m so out of my standard rotation on graphic novels, one reason is that the Marvel stuff reads very quickly and another is that the Stick book was borrowed. But you were probably talking about the actual rotation, not all this side stuff, right? Right, you pay attention to that as closely as I do, so of course you were! Well, the answer to that is that the newest Walking Dead volume has been delayed for months. (And the next one will be delayed even further, as Wikipedia Pete informs me there are only two out of the standard six that have even been published as single issues, thusfar.)

But the important part is, the aptly named Made to Suffer finally did publish, and then I got it and read it. Yay! For values of yay that mostly relate ironically to the title, because, damn, that was a brutal book. The two civilizations we’ve seen in the series have been on a collision course for about half of its length, and this book marks the payoff. The zombies have a front row seat to a mini-armageddon in which nobody is safe, not least because said zombies forgot to bring their popcorn, if you know what I mean. (And I think you do.)

Made to Suffer may also mark the first time I’ve seriously considered the forthcoming zombiepocalypse as an extinction-level event. But if people act like this (and if there’s one thing I can say Kirkman seems to have access to in spades, it’s the human psyche), we’re all doomed, no matter how well prepared we may feel. I guess the moral of the story is “Don’t be a dick,” which would be more comforting if people who are dicks were so easily able to recognize that about themselves while also trying to stave off the end of the world.

The Order of the Stick: Start of Darkness

First of all: if you now or have ever played Dungeons and Dragons, why aren’t you reading the Order of the Stick? It’s a long running webcomic that combines humor based on the role-playing game, actual humor, and a globe-spanning epic quest to save or destroy the world, depending upon what character viewpoint any given comic is following. And the art, you will be retrospectively unsurprised to learn, is based around stick figures. So now you know, and you should read it!

But you probably already are, and like me, you probably never got around to buying the prequel graphic novels that are only available in published book form. Luckily for me, I know people who did, and I performed a borrowing of opportunity while at a fireworks show a couple of days ago. Start of Darkness is a quick (if not light) read chronicling the rise of the douchebag lich and the sympathetic but ultimately flawed goblins who follow him in his quest to destroy some gates that will in turn destroy the world. You know how these evil mastermind plans go. The point is, though, the stories here are just as funny, though a bit grimmer than the online version. It is about bad guys, and all. And the stories are definitely as affecting as the online version. (Did I mention that between the humor and the D&Dness of it all, there’s a genuine story here, with emotional highs and lows? My hand to God.)

Plus, secret bonus for long-time readers: Rich finally turns a spotlight on the scary monster that’s always hiding in the dark!

Shards of Delirium

Fragments of Delight