True confessions time: as of yesterday afternoon, I was four reviews behind. I have got to stop with this! But anyway, I tell you that mainly so you don’t think it took me until mid-January to see the latest Spider-Man movie (non-MCU).
Well, fuller disclosure still, I originally didn’t plan to see it at all, since animated plus non-MCU made me think it was a Sony kid movie instead of a serious comics movie. But then early reviews were generally positive with a non-kiddy slant, and so there I was.
Into the Spider-Verse tells the origin story of Miles Morales, who you will remember from too many of my reviews to link to of Ultimate Spider-Man, after that time when Peter Parker got killed. Bendis did a good thing when he provided the Marvel Ultimate universe with a replacement Spider-Man, not just because Peter Parker had been the most important character in that continuity and the hole was painful, but especially because he provided someone who matched modern New York’s demographics. Not only does it embrace a broader audience, but it frees up a new story space, instead of just ending up with a clone of the original.
I guess I jumped rather far afield. Anyway, the movie tells Miles’ origin story by way of Dumbo, while also introducing a concept I am decades from reading in print, about all the various earths where all kinds of other various people were bitten by radioactive (or genetically modified, or whatever) spiders, resulting in all kinds of new and bizarre Spider-People. This maybe sounds silly, but the Kingpin and his crew are collectively such a powerful threat that the cross-dimensional team-up actually feels necessary.
Also: the little things they did with panel composition and lettering and the spider-sense were… a friend of mine said that he walked out of this movie with the knowledge that he had not previously seen a comic book movie, he had only seen movies about comic books. It really shows that the people who made this love not only the stories, but the medium as a whole. I really very much hope there’s a Miles sequel forthcoming. He deserves one, and so do we.
 I, uh, look. Shut up.
 It is important, comics being what they are, that I point out I mean clone in a metaphorical sense. Although a literal clone would be just as pointless.
 Oh, right. Kingpin is the big bad. He’s so much more effective here than he is in Netflix’s Daredevil. It’s not that Vincent D’Onofrio does a bad job, it’s that the Kingpin is a larger than life figure who translates to live action far less well than most other supervillains have done.