Tag Archives: The Sandman

The Kindly Ones

1563892057.01._SX450_SY635_SCLZZZZZZZ_I spent about a week reading a book that should have taken me maybe two days, and all because I was trying to avoid its end. It’s just, I’ve read Sandman before, and I knew how The Kindly Ones was going to come out. But despite the fact that the reveal at the climax of World’s End had already sealed said outcome, and despite the fact that probably books don’t change themselves around to tell different stories while I’m not reading them, I’ve spent all week hoping that maybe I’d get to the end and it would be different after all. There’s no need to keep you in suspense: for this time, at least, it was not.

The Kindly Ones is structurally and all but literally a Greek tragedy, and between that reveal I mentioned in the previous volume and recognition of the structure, the outcome will be as inevitable to anyone reading it for the first time as it was to me on this, my first reread. It’s a skillfully constructed piece of fiction, liberally flavored with themes of loyalty and duty throughout. And, of course, revenge. All Greek tragedies are about revenge, though. About revenge and about causing, through one’s own actions, exactly that which one was trying to prevent. Loyalty and duty and revenge and directed irony. And unrequited love. And all manner of other things that also go right to the heart of what it means to be human. I guess what I’m saying is that it impresses me that either 1) we are so strongly affected by the literature of our millennia-gone forebears or 2) that the people who were creating some of the earliest literature of which we have record already understood the things that affect people the most. Or 3) that my flaw as a reading enthusiast is being all Western-centric without even realizing how narrow my view is. But let’s assume it’s not that one and move on.

I respect the book for what it accomplishes. I hate it for how it turns out. But the entire series is about the act of dreaming and the nature of dreams and the ways that they can make people better than they ever were (and sure, the ways they can reveal people as worse than we could ever imagine, too; we’re still talking about human people, after all). And so I love the book too, because it lets me believe that, like a recurring nightmare, the next time I experience it still might come out differently than it did this time. Really, how many books have that kind of power?

Endless Nights

Seven stories, one for each of Neil Gaiman’s Endless siblings. It wouldn’t seem like the best description to drum up interest in the newest (although not so very new) Sandman graphic novel, Endless Nights. At least, it wouldn’t to people who aren’t familiar with the series. If you are, seeing Neil Gaiman’s name attached to this property most likely comprises one of the few value guarantees out there. (I’ll try my damnedest not to gush further, when the next one of these comes up.)

Impressions: Desire’s story made me like it a little, which I’m not sure I ever had before. (Not that this lasted for very long.) Despair, although not an actual tale in the conventional sense, was gut-wrenchingly effective. Destiny is as uninteresting as he ever was, but I don’t think it’s his fault. Ten panels of Delight was enough to break my heart. Gaiman’s smart, to use her as sparingly as he has over all these years.

Finally, there are a couple of spoilers about the main sequence stories included here. That story is a lot more about the journey than the destination, but also these would probably be easier to appreciate by knowing the characters more thoroughly, anyhow.