I feel bad using the horror tag by default on The Rotten Core, simply because it’s a Walking Dead book. Because this is I think the most political the series has ever been. Not to mention, and this will be a spoiler, so in the unlikely event you are worried about that, skip to the next paragraph: not only did nobody die to a zombie attack in the book, but I’m pretty sure this is the first book where that’s true. I may be wrong, but it’s for sure the first book where it stands out.
Anyway, the political thing. I mean that both in terms of the treacherous political waters that are being navigated, and in terms of how in your face actual political stances are. Which is… maybe less true than I think.
See, the people we know in their many local-to-Virginia/DC communities are now in discussions and mutual goodwill tours with a much larger, much more stable community to the west, called the Commonwealth. And it’s not exactly bold to come out against the idea that people are to be frozen in their social status for the foreseeable future / but really the rest of their lives. At the same time, coming out against a police state is… well, it at least shouldn’t be a bold position either, but hi, 2019!
I guess it’s good to see Kirkman actually reinventing the series a little bit after all, because, well. The same plotline for the fourth time in a row would be a bit much.
NOTE: I have not ruled out that this will become the same plotline in a row for the fourth time.
There’s another Fables series, apparently, which makes this I think the third spin-off? Fairest looks like it will be an anthology series focused on famous female fables, and I’m perfectly happy with that idea. (My first thought was, why can’t these stories just go in Fables instead, but I get that Willingham probably has some kind of master plan for where the plot is going. It has certainly been a plot-dense series to date! So I guess a spin-off is the only place to tell side stories.) At the same time… man, this is a lot of books.
That griped, Wide Awake tells the latest story of Sleeping Beauty aka Princess Briar Rose. Well, it also tells her origin story in an Arabian Nights inspired flashback sequence, and everything that happens will probably eventually bear on the main series, as will the single issue story about Beauty and the Beast that rounds out the book. ….all of which makes me wonder if a new anthology series was necessary after all, again. Probably it was? Man, I dunno. I’m glad the dude has so many ideas, but I’m still six years behind!
Werewolves of the Heartland is an untethered to specific continuity side story featuring Bigby Wolf and, well, it says it right there in the title, don’t it?
See, there’s this city in Iowa fully populated by werewolves, and although that isn’t precisely why Bigby is in town, it quickly becomes the main reason. Not least (but not, I think, most either) because they’re tied into his past days murdering Nazis during World War II. Having established all of this in the first two issues, the rest of the book is how he solves the problem.
Good if: a) you really like Bigby as a character, or b) you want to see as many possible variations on werewolf boobs and dongs as you can imagine, although in this case that’s going to be approximately one example each. Tons of nude werewolves / untransformed men and women, but only one type of anatomy per sex. It was honestly distracting.
Bad if: a) you expect anything that happened to have future plot consequences or b) you don’t care for the new artist for this side project. Which I suppose I’ve already alluded to above, but the uniformity of figure drawing from the neck down was not the only thing I took issue with. These are crude representations, as a stylistic choice rather than a lack of talent I’m sure, but man is it not my style. Oh, or c) if you are reading the book in public, say at the DMV while trying to get your vanity plates transferred to your new car. Because, damn that’s a lot of boobs and dongs.
 Okay, it falls under the third full plot in the series, which is arguably over now but may just be winding down instead; too soon to tell, but it could be placed anywhere in that multiple book region.
 Real life timing wise, it is around 2012, which resulted in a funny (to me and maybe three other people) reference to the ABC show Once Upon a Time.
There are now thirty Walking Dead books. That’s nearly 200 issues of the comic, for values of nearly that are two to three years out. But still!
As has so often been the case since the war with the Saviors wrapped up, there is really only one important question that a reader of New World Order should have. “Is Kirkman telling a new story with this new group of organized people who seem to have actually restored civilization from the ashes of the zombie apocalypse, or is he about to rehash another ‘man is the real monster, so let’s watch Rick Grimes kick another opposing viewpoint’s ass!, but with a minimally new twist on events this time’ story. Which would make this round… four, I’m gonna say?
I actually do think it’s going to not be that simplistic, is the good news. Also the bad news, because now I’ve got my hopes up.
My favorite thing about Fables having completed its latest story arc is the boundless possibilities as to what happens next. Want a story about a hopeless rebellion against the latest dictator in the lands of Oz? How about hints of the enemies left behind after the latest bad guy’s defeat? Or the main plot of the story, in which an heir must be selected to fill the vacant throne of <spoiler elided, although the title probably hints at it>?
Even better than all that, I’m honestly not sure where any of these stories are going. Which I think is good news, although at the same time there’s a part of me that is wondering whether, y’know, they have as much story left to tell as I have books and spinoffs left to read. For now, at least, it feels like the answer is maybe, which ain’t bad.
 See, there’s all kinds of power vacuums left behind in the Fablelands, in the wake of the Adversary’s defeat lo these many books ago.
The first problem is, I don’t really remember what happened in the last Cinderella book. And, now that I’ve read my review, I understand why.
So, here’s the deal. Cinderella is a spy, the kind of actual spy who her own people don’t know is a spy unless they’re her bosses, because need to know and actual effectiveness and all that. What she is not, I suppose by virtue of being under the purview of a different author, is the kind of character who is allowed to make lasting impressions on the main plots of the Fables series from the safety of her side books.
Therefore, if you like Cindy as a spy character on her own merits (and I have decided that I do), these books are fun, if ultimately meaningless, fluff. (With occasional clever visual cues that riff off the not as clever title cues that these are James Bond inspired.) If you do not, they are thusfar devoid of any content that you will feel bad about missing. Which is a pity, but only because I do like her on her own merits.
 In Fables Are Forever, her historical and modern competition (spy vs. spy style) with Dorothy Gale is revealed and explored in what I think is fair to say is a surprising degree of detail.
 Actual review in the footnotes. This is a new low.
 Willingham is only here because they reprinted issue 51 of Fables in the collection, which it seems was Cindy’s first spy appearance, and which I seem to have mentioned at the time? (Or at least near the time.) So that’s cool.
A common thread among the past several volumes of The Unwritten that I’ve read is this: I start off wondering if I’ve ever actually read the series before, and then over the course of the book things seem more familiar, and by the time I finish the book and look over my recent previous reviews, everything is more or less back in focus.
You would think, therefore, that I could learn a damn lesson and get myself caught up, so as to no longer have this problem. (Or, for all I know, it has wrapped up by now?) But you would be wrong, for a reason that is actually not my fault. It turns out, here at the end of Orpheus in the Underworlds, that they have 100% unexpectedly set up a crossover with Fables. And the last Fables I read was published about two years earlier than the next Unwritten. So, um. Oops.
Aside from that little problem, this was a perfectly cromulent book. The fallout of events from a couple of books ago continues to be explored, from settings as diverse as the underworld and a pre-teen’s badly spelled zombie fiction written on lined notebook paper. Multiple characters I did not expect to see again have reared their heads, but I think my favorite is the page or three of Eliza Bennet, lately fallen on rather hard times and willing to do most anything to survive.
It’s a pity nobody else has read these. Mike Carey is pretty great!
 Obviously I know I have, which helps me proceed to the subsequent steps, but it’s very disorienting, the dichotomy between what I know and what appears to be in front of me.
 I bet you didn’t see that coming!
I’ve said it before about other series for sure (and probably this one for that matter), and I’m certain I’ll say it again: once you’re to Volume 16 of a series (not to mention its spin off from beginning to end), it is hard to say a damn thing without just an incredible number of spoilers. Enough so to make me wonder why I keep reviewing late volumes like this.
Super Team chronicles Pinocchio’s efforts to beat the Fables’ latest big bad, Mister Dark, by emulating the comic books he has adored for lo these many decades of exile in New York City. See, if he puts together the perfect group of fables with the perfectly complementary powers, Avengers (let’s say) style, then they are guaranteed to win! Right?
I will say these things about all that.
1) The book was perfectly fine, and I continue to like the series overall. (Unlike Jack of Fables, which I liked occasionally at best, and far less after the first plot with the literals ended.)
2) The one shots at the beginning and end of the main story were both better than the main story.
3) I think that’s because the ending was not effective. Like, I could see what he was going for, and it should have worked, but it was all so abrupt that it didn’t.
 Shades of Pratchett and million to one shots, methinks.
I find that Walking Dead graphic novels come out at the right pace. Twice a year, six issues each (which okay, that’s a pretty obvious rate if you pause to think about it), and whenever I get one in the mail it’s just about exactly the time that I think it’s been a little while since I read the last one. I wonder if I would itch for them more, if the show wasn’t also coming out on about that schedule (eight episodes instead of six, and closer to the turn of the year than an even split, but nonetheless) to fill in any extra itchings.
Sometimes I can tell what they were going for from the title, and other times (like now), not so much. I mean, Lines We Cross is a rich mine for the entire series, certainly, and most of the individual characters have a lot of story dedicated to that question. But this specific book? Nah, not seeing it.
That said, it is an introspective, quiet, rebuilding book, in which people have time to take stock of lines they have maybe already crossed, regrets they have, relationships lost and found. And I will never get tired of the parallel story arcs between two characters that would be very spoilery to call out. But if introspection is not your thing, there’s a new hilarious character (right on the cover!) and the promise of a brand new storyline springing from the culmination of the radio conversations that built throughout the Whisperers arc. So, Kirkman’s definitely not out of ideas yet. And, at least for now, I’m not tired of hearing them yet.
 For a lot of reasons
The final volume of Jack of Fables is hard to review for two reasons. If I’m being honest with myself, the series had outstayed its welcome since probably the big crossover, or at the very latest whichever book after that involved the dragon. So for my perspective: I’m glad it’s over. But that’s an opinion, not a review.
Reason one why The End is hard to review: because it’s not only the last entry in a series, but also the ninth. So, spoilers galore. This is a common problem that I have, and the lesson I suppose is to read more standalone stories?
Reason two why it’s hard to review: because anything I actually would be willing to say is already covered by the title itself. This book right here? Delivers on its promise. So, what else even would there be to say? Was it satisfying? Since I was already done with these characters, one of them probably before he ever existed, it’s hard to answer that in true fairness. But yes, I’m satisfied.
….except for the perpetual Walter Mitty miniaturized blue ox. I never got that at all. But I’m glad I will never have to worry about it again, at least!
 Jack Frost