Citizen Kane

A new feature in my life is the weekly movie night on Fridays, this whole big thing where a group of my local friends and I gather together and watch a movie. Not always good, not always important, often both. I’ll never know what it is next until the day comes, and that’s just how it’s gonna be.

This week, Citizen Kane, the original spoiler-at-the-end film. If you don’t know what Rosebud means, I suppose I can go ahead and not say. In some ways, though, I think viewing the movie was more enjoyable for knowing and being able to watch it happen, instead of wondering the whole time like the audience was supposed to back in the day.

As far as the brilliance of the movie, well, it had its good points. Lots of innovative cinematography that I was unable to appreciate. In a way, it’s hard to credit that film is the same basic physical thing it was 65 years ago; the part where the way it’s used has changed dramatically was inevitable, so innovative for then gets as far as looks pretty decent for now. The acting was top notch, which doesn’t surprise me. It had better be, if you’re going to call something the best movie of all time, AFI.

The downside was the plot. Sure, the quest for Rosebud worked fine, but all the little stories on Kane’s life that were the true point of the movie? I felt like those failed me. There was some crucial point where Kane shifted from youthful idealism to nonchalant decadence, and I was completely unable to tell what it was. I have my guesses, and maybe the point is that we don’t know how it happened, only that it did. But it felt like a missing piece of the movie, and considering how engrossed I was in the story, it was very disappointing to have this sudden paradigm shift in character and not be able to understand what happened.

Anyway, if you haven’t seen it yet, you should; it’s that kind of movie. But don’t feel pressured about it or anything. It’ll keep.