Eagle Eye

Last week, I watched a show in which a self-aware computer AI spread ominous shadows over a dystopian future. Later, after the Sarah Connor Chronicles was over, I also watched Eagle Eye. No, I’m kidding, Eagle Eye was pretty good, and it knew better than to trod the thematic ground so well covered by the Terminator series. Instead, it split time between tension-filled thriller/action and Big Brother dystopianism, which is subtly different in that Big Brother only craves control, not humanity’s demise.

Into this scenario leaps Shia the Beef, 20-something slacker twin of a talented military intelligence officer who has died in a car crash just days ahead of massive infusions of cash and terrorist paraphernalia, all of which is mistakenly sent to the living twin. And just seconds ahead of the feds, a woman’s voice on the phone starts giving Mr. the Beef instructions that he had best follow, lest he face certain death. Throw in an equally frantic chick under similar constraints, and then: rollercoaster engaged. And honestly, it was pretty darn good. Sure, I had to turn my brain down a little bit and enjoy the ride, but there was only one major plot hole, which is fewer than most action/thrillers, so. If candy is your thing, this will be better than most such offerings.

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