At the end of the latest Powers collection, in time to commemorate the 50th issue of the comic that rounds out the book, there is an extensive interview with author Bendis and artist Mike Avon Oeming. It is sometimes funny, often insightful, and constantly vulgar in exactly the way you’d expect from a series that has prominently featured a monkey’s vagina, and I recommend it to anyone who is reading the series or is interested in the nuts and bolts of the modern (ie, the past decade or so) comics industry. But it also makes the point that Powers is a series which constantly re-invents itself. If I have not made this point myself over the previous eight reviews, I certainly should have.
Psychotic does not precisely mark a re-invention (as the plot is still firmly centered around the consequences of outlawing the use of superpowers), but it certainly picks up a new theme: cops who commit crimes, cops who shield those cops, and cops who work to prove the wrongs that were done by those cops. And of course it does this in ways you would not expect, because Bendis is good at what he does.
Mostly though, the book is a placeholder while we all wait for Deena Pilgrim’s evolving circumstances to settle into a dramatic revelation of some kind. I’m not saying I’ve been waiting forever to see how this turns out or anything, though it has been kind of a while. But the sudden steep jump in the stakes? Definitely dropped my patience level.
Also, I said something about contrasting Powers and The Boys, as their worlds are somewhat similar in scope? Well, maybe I only thought it. Either way, it’s impressive that the two books I’ve just read do share an overlapping type of event, and it’s even more impressive how, even though the one in Powers was objectively the worse on an ethical scale, it also resulted in my feeling no resentment for the character involved.