The Forbidden Kingdom

True confessions time: I never really got deeply into kung fu movies. I mean, I watched Bruce Lee movies when I was a kid, because they were just there for the taking on weekend afternoons on the UHF channels, and how could you not watch them? And it was awesome to see all the ass-kickery as Bruce (or whoever) made his way through an army of lesser men and then took out some bad guy or other in an ultimate confrontation. But I never really got into the storyline, just the chopsocky. And then later Jackie Chan appeared with his death-defying stunts of pure awesome but the same kind of storyline. And then Jet Li and his hidden snapper brought wuxia to my attention, with its emphasis on magical realism and Chinese folklore, and finally there were plots that I could get into, but I knew there was a ton of background to it that I somehow managed to miss on those long ago weekend afternoons, and I’ve felt kind of out of the loop ever since. It’s very tragic.

The thing about The Forbidden Kingdom is that it felt just like an introductory guide to the genre that didn’t assume you would know everything that was going on. A kung-fu-obsessed teen gets caught up in an armed robbery gone wrong, ends up with a magical staff, and is transported to historical China, where the staff must be returned to the Monkey King, lest the land be held forever under the tyranny of the Jade Warlord. Luckily, he has help in the form of traveling drunken scholar Jackie Chan, laconic monk Jet Li, and really hot chick-in-search-of-revenge Sparrow. He’ll need all their help, considering that the Jade Warlord has an army nearly as unstoppable as he is all by himself, plus a newly hired witch. (Upside of Chinese witches: they are also extremely hot, not bent and crone-y like lame Western witches. Downside: in addition to the magical powers, they also know kung fu. But, well, it’s historical China: everyone knows kung fu, is what I’m trying to say here.) And so our hero has to live out years of daydream fantasies, but with the complications that real life is a lot harder than imagination, and also a lot more deadly.

I got sidetracked by plot just now, but my point is, the hero-kid’s eyes gave me the window I needed. This was slightly ironic considering that he should have understood everything that was going on, what with his obsession with the movies.[1] But the huge blindspot between the movies and the reality (if you will) left a lot of room for explaining things to the audience. So if you’re like me and you accidentally missed this boat, or if you’ve got a kid that is in serious need of some Eastern cinema, The Forbidden Kingdom is a really great place to start. And if you’re not like me and you have been involved in these genres all along, well, my highly unscientific survey of one person says that it was pretty great through an old hand’s eyes as well.

[1] Or I guess it could be that in the movie’s reality, not unlike my apparent own, wuxia didn’t exist as a genre for him to have watched? If so, this was unclear at best and I think disproven by modern movie titles.

One thought on “The Forbidden Kingdom

  1. Carol

    My kind of movie!
    It follows the pattern of myth exactly – reluctant novice gets caught in deep problems – older wiser ones appear just in time to help – hero makes the right choice at the exact right time to be victorious and save the whaatever – you know – the girl the kingdom whatever was in danger.
    I loved it – the action was just the right amount of unreal to keep you watching but not too worried.

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