The Poseidon Adventure

I thought I ought to ground myself in history, so thanks to my good friends at Netflix, I snagged The Poseidon Adventure no more than a week after its remake’s release date, to watch prior to catching said remake. (Because I am nothing if not timely. Also: product endorsements deserve to be rewarded with free stuff. Just saying, good friends at Netflix.) The seventies were a different time is what I have learned. Sure, blah blah blah special effects cakes, but that’s not the thing. The thing is the acting. With the exception of Ernest Borgnine (who was frankly superb) and Roddy McDowall, every single male in the cast acted via angry loud voice. It was just bizarre to watch, especially in Gene Hackman, who I have certainly seen perform well enough in other (notably later) roles. Meanwhile, the women were mostly called upon to scream a lot. This is somewhat less surprising on the whole, but still pretty sad. As the main exception here was Ernest Borgnine’s wife, I am forced to assume that it was talent by osmosis.

As for the plot? Well, you know, boat flips over, people try to survive in upside-down boat. Is there more that you need to know? I will say that the set design did an almost non-existent job of conveying upside-downness, which robbed the movie of a good third of its purported impact. I expect that the remake will handle that part, at least. And maybe less shouting. But mostly better special effects traded in for someone not as good as Borgnine. Probably this is a bad thing; it certainly would be if the original had been a tour de force, but since it was not, I’ll take what I can get.